在線播放
劇情簡介
故事環繞兩名面對中年危機的好朋友的經歷,二人舍棄了一直以來的生活模式,對人生作出重大的改變。
同類好片
人體亂碼
Michael Eklund,Karoline Herfurth,Tómas Lemarquis綁架
保羅·皮耶羅邦,福斯托·魯索·阿萊西,芭芭拉·朗奇,Enea Sala,萊昂納多·馬爾特斯,菲利波·蒂米,法布里齊奧·吉福尼,Andrea Gherpelli,Samuele Teneggi,科拉多·因韋爾尼齊,Aurora Camatti,保羅·卡拉布雷西,布魯諾·卡里諾,Renato Sarti,Fabrizio Contri,費德里卡·弗拉卡西,查士丁尼·阿爾皮,亞歷山德羅·班迪尼,James Basham,Leonardo Bianconi另一個人
連姆·尼森,安東尼奧·班德拉斯,勞拉·琳妮,蘿瑪拉·嘉瑞,Abigail Canton韓塞爾與葛雷特
千正明,陳智熙,沈恩敬,殷元在交響詩篇超進化3
賭俠大戰拉斯維加斯
劉德華,張家輝,陳百祥,林熙蕾,郁芳,萬梓良,李菲,王晶,南燕人氣佳作
三聲再見
阿爾芭·羅爾瓦赫爾,埃利奧·杰曼諾,弗朗切斯科·卡里爾,西爾維婭·達米科,加拉泰亞·貝露琪,薩莉塔·喬德霍里,洛倫佐·特倫齊,索菲婭·德利婭,斯蒂法諾·布拉奇,彼得羅·斯帕沃利,孫克古·鄭,馬泰奧·卡洛馬尼奧,朱塞佩·佩斯蒂洛,路易莎·里奇,薇拉·杰瑪,亞歷山德羅·洛·卡塞托,科西莫·德西伊,特奧多羅·吉安班科,朱利婭·瓦倫蒂,托馬索·阿爾納爾迪何以陽光
宇桐非,梁鏡珂,蘇一龍,李華,鄭龍,孟靖,張綺煙犯罪讀者俱樂部
Veki Velilla,Iván Pellicer,阿爾瓦羅·梅爾,卡洛斯·阿爾凱德,瑪麗亞·賽爾祖埃拉,普利西婭·戴爾加多,丹尼爾·格勞,Carmela Lloret,Ane Rot,Hamza Zaidi潛艦情緣
何塞·加西亞,皮奧·馬麥,伊爾·哈達拉導演精選
瘋月
Six college grad students and a mysterious stranger battle a pack of ferocious werewolves in a secluded cabin.
外星入侵者ZIM
一名想要征服地球的外星人ZIM 假扮成人類,而只有一個妄想狂的小孩Dib Membrane知道這個秘密。本劇于2001年3月30日在美國和菲律賓首播。 Zim是來自外星來的小孩,應該說是入侵者,但他在自己不知道的情況下,被母星放逐,不知不覺來到了地球... 以小學生的身分在地球生活,雖然說是入侵者,但是幾乎都沒在進行侵略的動作...(反而在我看過的集數中,拯救地球兩次= =") 而且還要面對面前的敵人-Dib的侵擾(在我看來像是騷擾),Dib是唯一知道Zim是個外星人的地球人,但是因為也是個小孩子,所以沒人相信他. Zim與Dib是同校又同班的敵人(或者說是一對活寶),不時會進行互相乾擾的...笑話 Invader Zim的動畫進行是有點類似PPG(飛天小女警),30分鐘演兩話,1話12分鐘左右,所以每一話幾乎都充滿笑點....
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.