新赤色密室
日文名:赤い密室,;赤色密室2 是延續(xù)了相同的主題,從;紅房間,雖然與新players.Again有一些真正扭曲的虐待狂,血腥暴力和性暴力的場(chǎng)面,例如一個(gè)人得到他的鼻腔分鐘牙刷擦洗到處都是血爆發(fā)或在一個(gè)真正令人厭惡的場(chǎng)景就結(jié)束,直到一個(gè)家伙是誰拳打在籠子里的女性之一,感覺里面的東西her.He抓斗保持和拉他所有的力量,痛苦的三英寸長(zhǎng)的胎兒臍和弦碼所以,如果你喜歡;紅廳,你會(huì)不會(huì)失望這塊仍然認(rèn)為坂大輔的;穆贊E是一個(gè)更好的film.Give以及看看。
影片推薦
約束的罪行
塞西莉亞·羅特,米格爾·安吉爾·索拉,本杰明·阿瑪?shù)蠆W,索菲亞·哥拉,亞尼娜·阿維拉,迭戈·克雷莫內(nèi)西,保羅·巴林托斯,馬塞洛·索比奧托,瑪麗婭·瑪努爾,馬塞洛·丹德烈亞,克拉拉·科瓦西奇A面B面
陳曉東,張靜初,芙蓉姐姐,袁文康,孔維,鄧家佳,任泉,王洛勇 Luoyong Wang驅(qū)魔2024
羅素·克勞,芮安·辛普金斯,薩姆·沃辛頓,克洛伊·貝利,亞當(dāng)·戈德堡,亞德里安·帕斯達(dá),戴維·海德·皮爾斯,特雷西·邦納,瑪塞奈·麗奈特,約書亞·約翰·米勒,哈莉·塞繆爾斯,漢娜·布萊克,薩曼莎·瑪西絲,杰登·方丹,扎克·帕德羅,查德·邁克爾·貝爾德,德魯·布羅德里克異形:奪命艦
卡莉·史派妮,戴維·榮松,阿奇·雷諾,伊莎貝拉·莫塞德,斯派克·費(fèi)恩,吳愛玲,丹尼爾·貝茨,伊安·霍姆,特雷沃·紐林,羅伯特·勃洛克茨基,安妮瑪麗·格里格斯,羅茜·伊德,索瑪·西蒙,本斯·歐科克,維克托·歐利祖地平線2024
凱文·科斯特納,西耶娜·米勒,薩姆·沃辛頓,吉娜·馬隆,歐文·克勞肖,塔坦卡·米恩斯,艾拉·亨特,蒂姆·金尼,丹尼·赫斯頓,柯林·坎寧安,斯科特·黑茲,湯姆·佩恩,阿比·麗,邁克爾·魯克,威爾·帕頓,喬治亞·麥克菲爾,道格拉斯·史密斯,盧克·威爾遜,伊莎貝拉·弗爾曼,杰米·坎貝爾·鮑爾,亞歷杭德羅·埃達(dá),Wasé Winyan Chief,邁克爾·安格拉諾,安古斯·麥克菲登,喬恩·比弗斯,亞歷克斯·尼布理,艾蒂安·凱利奇,Amos Jason Charging Cloud,博迪·奧庫馬·林頓,格雷戈里·克絕地狂奔
袁宗軒,沈芷萱,曹安迪同類精選
林中女孩
Selah Rose,Doug Wilder,Maggie Wilder地獄迪斯科
Soni Bringas,Stephen Ruffin,海倫妮·尤迪最終測(cè)試
安東尼·邁克爾·豪爾,查理·吉爾萊斯皮爾,漢娜·凱普爾,約翰·卡普洛斯,利麗克·羅斯水底驚魂
丹尼爾·祖瓦圖,邦妮·丹尼森,克里斯·康羅伊,喬尼·奧爾西尼,葛瑞芬·紐曼,Mackenzie Rosman,馬克·馬戈利斯走心男
權(quán)相佑,文彩元追遠(yuǎn)尋根
Clare Monnelly,布里·尼·內(nèi)奇廷,亞歷山德拉·比斯特日茨卡婭,Clare Barrett,夏洛特·布拉德利,塔拉·布雷思納克,格蕾絲·科倫德,Peadar Cox,Jim Cunningham,多蘿西·達(dá)菲,Marcus Lamb,邁克爾·奧·萊恩,Oisín ó Maoileoin,Liv O'Donoghue,奧爾加·韋爾利影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
猿山異聞錄
袁福福,王培祎,王青,王純,邵峰,付宏聲,盧勇,何承熹,宋建霖據(jù)傳聞,古時(shí)候有座山叫猿猴山,猿猴山有一國(guó),名為猿國(guó)。猿國(guó)有一罕見白猿,猿國(guó)尊護(hù)白猿為神,稱“猿神”,百姓日夜供奉,祈求平安。近日,有傳言說“猿神”暴怒,不會(huì)再庇護(hù)猿國(guó)了,國(guó)主才會(huì)久病不起,導(dǎo)致猿國(guó)上下人心惶惶。為了穩(wěn)定民心,猿國(guó)國(guó)主請(qǐng)求太極村掌門延一道人幫助猿國(guó)調(diào)查傳言真相,讓百姓心安。延一道人派遣弟子玄城前往猿國(guó)協(xié)助,探尋背后真相。
修女2
泰莎·法米加,喬納斯·布洛凱,斯托姆·瑞德,安娜·帕波維爾,邦妮·阿倫斯,凱特琳·羅斯·道尼,蘇珊娜·伯蒂什,萊昂廷·翁西厄,阿努克·達(dá)爾文·霍梅伍德,彼得·哈德森,塔瑪爾·巴魯克,娜塔莉·薩福蘭,馬克西姆·伊萊亞斯-梅內(nèi)特,帕斯卡·歐貝,亞歷山德拉·詹蒂爾,弗洛倫斯·梅斯泰,瑪歌·波萊爾,維維安娜·莫因,雷納塔·帕爾米涅洛,富爾維婭·帕特里齊亞·奧利維埃里故事發(fā)生在1956年的法國(guó),一名牧師慘遭謀殺,某種邪惡正在散播,艾琳修女(泰莎·法米加 Taissa Farmiga 飾)將再次與鬼修女瓦拉克(邦妮·阿倫斯 Bonnie Aarons 飾)展開正面對(duì)決。
羞恥惡魔
西蒙·飛利普斯Jack escapes jail and head to New York city to track down an old flame who has disappeared under mysterious circumstances.