在9月29日結束為期八周的有限活動后，《香蕉騎行》據說向羅斯展示了不同的一面，這是一場結合了喜劇、自傳體故事和音樂元素的更個人化、更發自內心的表演。這部劇是關于慶祝生活、紀念損失和為生活中的意外事件做好準備。

　　一次偶然中，布蘭登（馬修·麥康納 Matthew McConaughey 飾）發現自己竟然擁有一項如此神奇的特異功能——他能夠準確預測出每周末舉行的橄欖球比賽的結果。這一能力徹底扭轉了布蘭登失意而又頹廢的生活，同時也將他卷入了金錢和利益所構造的漩渦之中。　　沃特（阿爾·帕西諾 Al Pacino 飾）經營著一家體育顧問公司，布蘭登的神奇能力在他的眼中無異于是一根點石成金的魔杖。野心勃勃的他找到了布蘭登，千方百計的說服了后者加入了他的公司。從此，沃特的事業扶搖直上，布蘭登也在沃特的身上找到了親情和友情。但隨著布蘭登的能力的逐漸流逝，他和沃特之間的關系也開始了動搖。兩人心中都有各自的想法，而最終的贏家只有一個。

　　這是一對父子的傳奇歷險，也是兩個野心家的一拍即合。從沈陽到美國，從3歲到17歲，彈琴勝似取經，八十八鍵多過八十一難，父子心無雜念，只管埋頭向前，兩人赤手空拳讓美國殿堂藝術精英們刮目相看。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.