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劇情提要
不滅毒咒,禍延三世,妖邪侵犯,慘不忍睹.南洋是個降頭的發源地沙拉是個兇狠邪惡的巫師只要收了別人的錢就會用邪術作法害人將別人置之死地手段極為兇殘狠毒降頭師古老拉一直看不過眼沙拉無辜害人,只有暗中幫助那些被害之人,沙拉聞訊大怒與古拉展開連場生死大站結果兩敗俱傷;古老拉早料有此一劫在臨死前用畢生功力向沙拉施下永生不滅的毒咒要讓沙拉絕子絕孫...
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
索蕾:來自未來的妻子
Sore從未來穿越回過去,只為改寫她丈夫Jonathan的命運。但命運從不輕易讓步——當過去、現在與未來交織,她與Jonathan的愛情也陷入無法逃脫的時間迷宮。