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劇情簡介
由松竹映像、富士映畫聯合出品,故事原形是1938年發生的“岡山事件”,當時岡山縣津山市的苫田郡西加茂村22歲的青年都井睦雄,以火藥槍、武士刀不到兩個小時的時間內殺死三十人,最后潛逃深山開槍自殺人。創造了在極短時間內大量殺人,日本乃至全世界的犯罪記錄
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公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika笑臉殺人狂
羅南·魯賓斯坦,米婭·塞拉菲諾,克里斯平·格洛弗,阿馬迪厄斯·塞拉菲尼,阿什莉·里卡茲,加勒特·科菲,科迪·辛普森,Daniel Covin,Rachel Crowl,Gus Langley,Corey Prather汽車旅館人生
Emile Hirsch,達科塔·范寧鋼鐵少女
明日花綺羅,秋山莉奈,城戸裕次,栩原樂人,古原靖久,虎牙光揮死產兒
克里斯蒂·柏克,杰西·莫斯,麗貝卡·奧爾森,邁克爾·艾恩塞德 Michael Ironside,詹·格里芬,希拉·麥卡錫 Sheila McCarthy,肖恩·羅格森,迪倫·普萊費爾,Grace Christensen詛咒:納扎爾
Alp Aras,El?in Atamgü?,Melike Bal?ik人氣佳作
7號房的禮物
柳承龍,樸信惠,鄭鎮榮,金正泰,吳達洙,樸元尚,鄭滿植,葛素媛星河戰隊3:掠奪者
卡斯帕·范·迪恩,喬琳納·布拉洛克,斯蒂芬·霍根,波瑞斯·科喬,阿曼達·多諾休,瑪內特·帕特森,斯特里奧·薩萬特,坦婭·范·格拉恩,Antonio Summerton,Nicole Salandra,柯基·法爾考,史蒂芬·詹寧斯,Rob Vega,格蘭特·斯旺比,Damon Berry,喬·瓦茲,卡爾·桑寧,蒂龍·基奧,凱文·奧托,勞倫·麥格雷,Tarryn Page,邦戈·姆布圖馬,科里·伯頓,凱瑟琳·奧克森伯格絕命空間站
Julia Franz Richter,喬治·布萊頓,馬克·伊瓦涅黑暗心靈
凱西·霍廷,肖恩·桑迪福德,Malakai Fox導演精選
線人1973
根據史上100部偉大推理小說改編而成 ●一區標準版,全新數字修復高清版 本片《線人》是根據史上100部偉大推理小說,改編而成,是導演彼得·葉茲經典作品之一;愛迪是一個交友廣泛的人,但世界上卻沒有是永遠的朋友;因為身邊的人,正在處心積慮地準備把愛迪重新送回監獄;為了逃脫這個悲慘命運,愛迪干起了走私軍火的生意,他把軍火賣給那些準備搶銀行和干綁架的“朋友們”但不知不覺間,這個強盜內部,似乎有警察的臥底,到底是誰呢?他們的搶劫行動到底能不能成功呢?!
詛咒之刃
A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.