劇情縱覽
有紀(jì)高中畢業(yè)后,曾經(jīng)一度工作過,但是很快又辭去了,現(xiàn)在一直生活在一間布置凌亂的小屋子里。她的生活除了看電視就是睡覺,沒有交際,沒有朋友,甚至不用說話,父母放棄了她,她就這么在一個(gè)滿是垃圾的小屋里生活了5年
有紀(jì)高中畢業(yè)后,曾經(jīng)一度工作過,但是很快又辭去了,現(xiàn)在一直生活在一間布置凌亂的小屋子里。她的生活除了看電視就是睡覺,沒有交際,沒有朋友,甚至不用說話,父母放棄了她,她就這么在一個(gè)滿是垃圾的小屋里生活了5年
影片基于蘇格蘭作家阿拉斯代爾·格雷所著同名小說,融合現(xiàn)實(shí)主義、奇幻、科幻元素,將弗蘭肯斯坦的故事重塑,設(shè)定在維多利亞時(shí)代晚期,逃避丈夫虐待卻不幸身亡的女子貝拉(艾瑪·斯通 Emma Stone 飾),在被科學(xué)家成功復(fù)活后,心智停留在孩童階段,卻也對(duì)未知世界充滿渴望;她與放蕩律師私奔踏上挖掘自我的冒險(xiǎn),試圖擺脫時(shí)代對(duì)女性偏見,追求平等與性解放。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
Dorothy, now an elderly woman haunted by her past, tries to warn her granddaughter Emily before dark forces pull her into Oz, a once familiar land now twisted by horrors.
A writer who studies the paranormal believes that low frequency tactile sound is the cause for reported ghost sightings in an abandoned subway station. In an attempt to debunk the sightings, she breaks into the station to record evidence.