云上的日子 Al di là delle nuvole
1,費拿拉小鎮,工程師斯瓦諾(Kim Rossi Stuart 飾)邂逅了女教師卡門(Inés Sastre 飾),他們一見鐘情,卡門卻拒絕了斯瓦諾的吻。當他們三年后再次相遇時,斯瓦諾則在肉欲面前止步; 2,海濱小城,某導演(John Malkovich 飾)信步游蕩時遇到了美麗的女子(Sophie Marceau 蘇菲•瑪索 飾)。她向導演坦白曾親手殺害自己的父親。他們并未因此疏遠,反而繾綣纏綿; 3,巴黎,妻子離開不忠的丈夫,尋找租房時遇到了失去妻子的卡羅(Jean Reno 讓•雷諾 飾),他們似乎找到了共通的心緒; 4,英俊的男孩愛上了一個姑娘(Irène Jacob 飾),他尾隨、表白,卻得知她將要把自己獻給上帝。 本片榮獲1996年意大利電影新聞記者協會銀絲帶獎最佳編曲、1995年威尼斯電影節費比西獎。
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魔鬼蜘蛛男
藤田進,岡譲司,舟橋元,松下猛夫,風間繁美,八島恵子,宮城千賀子血腥兄弟會
扎克里·伯德,菲利普·安德瑞·波鐵洛,亞倫·達拉·維拉,扎克·維納,Erica Boozer,卡梅倫·考普斯威特,杰西·皮門泰爾,讓-路易·德戶勒赫,Joe Gallagher,Melanie Rothman,亞歷山卓·巴格特,Jackie Taylor,James Watson尸咒
金允慧,宋以載,樸智勛,李相亞我的珍寶
讓·雷諾,麗姆·柯里奇,卡米爾·查莫,帕斯卡·德莫隆,亞力克西斯·馬沙利克,布魯諾·桑切斯,娜塔麗婭·沃拜克,洛朗·巴圖,讓·雷恩斯海底軍艦
高島忠夫,中村哲,藤山陽子,藤木悠,佐原健二,上原謙,小泉博,田崎潤,田島義文,平田昭彥總統的蛋糕
Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj同類推薦
傷心童話
劉詩詩,胡夏,大左,謝楠,徐正超,伊力奇,楊悅,付滃,張子棟,趙佳怡,鞠泓宇,張一鳴,葉清源影視公司宣傳企劃楊佳(劉詩詩 飾)得了怪病,命懸一線。暗戀她的程序員劉同(胡夏 飾)為使她不留遺憾,決定在她每次昏迷蘇醒之際,以穿越之名為她圓夢。但,劉同的行動并不順利,除了突發情況帶來的穿幫,還有來自情敵尹哲(大左 飾)的奮力阻撓、戳穿。劉同竭盡全力與重重困難斗智斗勇,結果卻完全出人意料——原來,楊佳并非真病,她是為對付上司騷擾,佯作患疾。劉同的努力,她完全明了,劉同為她精心設計的從民國到未來,跨越200年的美妙夢境,讓楊佳深受感動。大家到此方才恍然大悟。可是,又一個意外橫飛而來……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
燃燒的夜晚
布萊恩娜·伊維根,查理·塔漢,加瑞特·迪拉胡特獅門出品 必屬精品 暴風雨來襲 一女孩和她有孤獨癥的弟弟被困在一個有老虎的房子里
致命錄像帶94
安娜·霍普金斯,Sean Patrick Dolan,德魯·維爾戈維爾,達克斯·拉維納1994年,一隊野蠻的緝毒警察來到一處倉庫,并在其中發現大量邪教信徒和散播的錄像:①霍莉和攝影師去下水道探尋神秘生物,卻在這遇上此生難忘的恐怖經歷。②守靈教堂內,守夜人平靜守夜,但風暴來臨后會發生什么?③印尼科學家妄圖創造人機合一的神話,卻不料一隊特警早以虎視眈眈 ④一隊反社會份子盯上國會大廈打算引爆大廈,卻不料他們的計劃將會迎來怎樣的變數?鏡頭之外,死亡的魔爪正緩緩伸向小隊成員…
微笑的山谷
米凱萊·里翁迪諾,羅馬納·馬喬拉·韋爾加諾,Giulio Feltri帶著過往傷痛,塞吉歐只身一人前往「微笑之村」擔任代理教師。這座對負能量零容忍的小鎮,明明曾遭逢巨變,居民們卻笑口常開。原來,讓這座微笑之村風光明媚的秘方,是一位能吸取人間苦痛的男孩,他的身體如祭壇,透過擁抱承擔全村的悲傷。他為人搭建快樂天堂,自己卻陷入無盡黑暗。塞吉歐與男孩的相遇,攪亂了鎮上的平衡;那座煉獄之門,也終將反向人間敞開。