箱女:窺視人妻
江梨子的先生找輝諞患已u藥公司工作。找灰驗(yàn)樵詮景l(fā)生不倫戀情,很少回家,得知丈夫出軌的江梨子非常難過(guò),她使用「艾莉」的暱稱,在網(wǎng)路聊天室從事兼職工作,藉以忘記寂寥的生活並釋放壓力。江梨子傲人的雙乳,加上江梨子時(shí)而扮成水手服的女高中生,時(shí)而扮成俏護(hù)士,網(wǎng)路粉絲數(shù)急速激增…有一天,她的丈夫找緩茸砹耍南聦俅荷階o送他回家。當(dāng)春山看到江梨子胸前的那兩顆黑痣,頓時(shí),他發(fā)現(xiàn)了江梨子驚人的秘密……
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魯克·高斯,博基姆·伍德拜因,路易·曼迪勒,馬克·可汗,萊昂納德·凱利-揚(yáng),海瑟·洛普,布魯克·紐頓,羅伯特·菲茨杰拉德·迪格斯,雷弗·甘特沃特第18朵玫瑰
尼基·瓦爾迪茲,克里斯·維拉努瓦,Yayo Aguila,蔡·科爾特斯,Donna Cariaga,Kira Balinger,VJ Mendoza,Timothy Castillo,Tuesday Vargas德國(guó)懸案事件簿:失蹤警探
羅蘭·維斯內(nèi)克,梅克·德羅斯特,馬克·本杰明·普赫誤殺2019
肖央,譚卓,陳沖,姜皓文,秦沛,邊天揚(yáng),許文姍,張熙然,施名帥,黃健瑋,陳志朋,葉瀏,谷洋,張林生還2025
邵正一,周思羽,周云鵬,彭禺厶,徐勵(lì),邱健,侯佳音,徐雅惠,劉頔,李昕廷 ,王天心 ,李夢(mèng)瑤,梁頌晴,段秋鈺,景天曈,寇文琦,劉政杰,朱宏嘉,曹衛(wèi)宇,馬國(guó)偉,楊奇鳴,逯長(zhǎng)恩,苗博,鄭好,張宏威,葉福生,何熙維,王俏,翟赫獵夢(mèng)人
陳孝良,米咪同類(lèi)推薦
壞媽媽
米拉·庫(kù)尼斯,凱瑟琳·哈恩,克里斯汀·貝爾,克里斯蒂娜·艾伯蓋特,賈達(dá)·萍克·史密斯,安妮·瑪莫羅,烏娜·勞倫斯,恩杰伊·安東尼,大衛(wèi)·瓦爾頓,克拉克·杜克,杰伊·埃爾南德斯,維德?tīng)枴て査?莉亞·麥肯德里克,梅根·弗格森,萊爾·布羅卡托,旺達(dá)·塞克絲,凱德·曼斯菲爾德·庫(kù)克西,J·J·瓦特,安·馬奧尼,薩曼莎·博利厄,唐娜·杜普蘭提爾,克莉絲緹娜·德蘿莎,揚(yáng)·費(fèi)爾德曼,杰倫·摩爾所有人都以為,艾米(米拉·庫(kù)妮絲 Mila Kunis 飾)擁有著幸福美滿的婚姻生活——恩愛(ài)的丈夫,乖巧的孩子,優(yōu)渥的生活條件,但只有艾米自己知道,為了維系這看似光鮮的表象,她的內(nèi)心早已經(jīng)精疲力盡。丈夫把所有的家務(wù)事都一股腦的甩在她的頭上,在處理這些瑣事的同時(shí),艾米還必須兼顧著去討好她周?chē)渌膵寢寕儭! 〗K于有一天,艾米再也受不了她的生活了,她離開(kāi)了家庭,拋棄了丈夫和孩子,帶著閨蜜琪琪(克里斯汀·貝爾 Kristen Bell 飾)和卡拉(凱瑟琳·哈恩 Kathryn Hahn 飾),兩名同樣受到生活瘋狂壓榨的家庭主婦,三人踏上了一條瘋狂的狂歡之路。
三傻大鬧寶萊塢
阿米爾·汗,卡琳娜·卡普爾,馬達(dá)范,沙爾曼·喬希,奧米·瓦依達(dá),博曼·伊拉尼,莫娜·辛格,拉杰夫·拉賓德拉納特安本片根據(jù)印度暢銷(xiāo)書(shū)作家奇坦·巴哈特(Chetan Bhagat)的處女作小說(shuō)《五點(diǎn)人》(Five Point Someone)改編而成。法蘭(馬德哈萬(wàn) R Madhavan 飾)、拉杜(沙曼·喬希 Sharman Joshi 飾)與蘭喬(阿米爾·汗 Aamir Khan 飾)是皇家工程學(xué)院的學(xué)生,三人共居一室,結(jié)為好友。在以嚴(yán)格著稱的學(xué)院里,蘭喬是個(gè)非常與眾不同的學(xué)生,他不死記硬背,甚至還公然頂撞校長(zhǎng)“病毒”(波曼·伊拉尼 Boman Irani 飾),質(zhì)疑他的教學(xué)方法。他不僅鼓動(dòng)法蘭與拉杜去勇敢追尋理想,還勸說(shuō)校長(zhǎng)的二女兒碧雅(卡琳娜·卡普 Kareena Kapoor 飾)離開(kāi)滿眼銅臭的未婚夫。蘭喬的特立獨(dú)行引起了模范學(xué)生“消音器”(奧米·維嘉 Omi Vaidya 飾)的不滿,他約定十年后再與蘭喬一決高下,看哪種生活方式更能取得成功。 本片獲孟買(mǎi)電影博覽獎(jiǎng)最佳影片、最佳導(dǎo)演、最佳配角(波曼·伊拉尼)、最佳劇本等六項(xiàng)大獎(jiǎng),并獲國(guó)際印度電影協(xié)會(huì)最佳影片、最佳導(dǎo)演、最佳劇情、最佳攝影等十六項(xiàng)大獎(jiǎng)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
沒(méi)問(wèn)題2021
梁龍,徐潔兒,范帥琦,賈天明,王宏偉,遲志強(qiáng),鄒德江,丁鶴,黃靖芯,謝昀杉,大兵東北某市,晨報(bào)主任左守權(quán)得知與前妻生活多年的女兒,在校組建“問(wèn)題樂(lè)隊(duì)”,不務(wù)正業(yè),恐將被學(xué)校處分。老左欲將女兒留在家鄉(xiāng)從事鐵飯碗工作,左明明卻欲南下逐夢(mèng)。老左苦口婆心勸說(shuō)不成只好四處托人求助。女兒英語(yǔ)老師呂有容,因兒子轉(zhuǎn)學(xué)之事有求于老左,兩人化干戈為玉帛,惺惺相惜。由此引發(fā)左明明誤會(huì)其二人有茍且之事,羞怒至極,父女決裂。左明明終日與樂(lè)隊(duì)混跡夜場(chǎng),幾乎放棄學(xué)業(yè)。老同學(xué)牛校長(zhǎng)涉嫌違紀(jì),牽連老左被停職。呂老師因和老左的一條醉酒視頻丟了工作。關(guān)乎女兒學(xué)位的英語(yǔ)四級(jí)考試,也只剩下最后機(jī)會(huì)。 為了女兒的未來(lái),老左找來(lái)女兒樂(lè)隊(duì)吉他手小馬協(xié)助,準(zhǔn)備孤注一擲……
瘟疫
喬爾·埃哲頓,埃利奧特·赫弗南,埃弗雷特·布倫克,凱奧·馬丁,肯尼·羅斯牧森,盧卡斯·阿德勒,科爾頓·李,Kolton Lee故事圍繞一名患有社交焦慮的十二歲少年展開(kāi)。在男子水球夏令營(yíng)的殘酷社交法則中掙扎求生時(shí),他那青春期特有的不安,隨著夏日推移竟發(fā)酵成一場(chǎng)撕裂靈魂的心理酷刑。