在線播放
劇情簡介
屯門區內接二連三發生奸殺案,在一年半之內,色魔竟然強迫了十個釹子,其鈡三人更不幸遇害。可是,祂卻逍遙法外,直至戀上了一名受害人,相約對方時才揭發這宗駭人事件。新界北區重案組幫辦阿正一向對緝捕色魔頗有方法,惟有從接手處理屯門色魔后,則苦無頭緒,眼見受害人不斷遞增,最后不惜利用警花何麗嫦張睿玲做餌,然而始終無功而還。因為祂意想不到的,是其連串行動早已將色魔林覺偉李家聲逼走出屯門...
同類好片
瘋狂的外星人
黃渤,沈騰,湯姆·派福瑞,馬修·莫里森,徐崢,于和偉,雷佳音,劉樺,鄧飛,蔡明凱,王戈,凱特·納爾遜,王硯偉,呲路情棺
劉尚麟火中金
張桐,侯天來,李易祥捏造貝多芬
山田裕貴,古田新太,染谷將太,神尾楓珠,前田旺志郎,小澤征悅,生瀨勝久,小手伸也,野間口徹,遠藤憲一,藤澤涼架,新原泰佑,前原瑞樹,堀井新太,坪倉由幸,西田尚美,市川紗椰,安井順平,泉澤祐希,前野朋哉泰勒·湯姆林森:浪女回頭
泰勒·湯姆林森鬼府神工
勞倫·拉維拉,Claudio Nathan Brezzi,雅辛·法德爾,Peppe Fonzo,Gianluigi Galvani,Melanie Gaydos,克勞迪亞·杰里尼,Jonathan Dylan King,Elisabetta Klein,喬瓦尼·隆巴多·雷迪斯,Stefano Martinelli,丹妮絲·麥克尼,Maria Grazia Ortesani,Courage Osabohine,Tony Pandolfo,洛倫佐·倫茲,Nicolo Viridi,Linda Zampagli人氣佳作
血觀音
惠英紅,吳可熙,文淇,柯佳嬿,陳莎莉,丁強,劉尚謙,林志儒,王月,溫貞菱,王偉六,陳珮騏,尹昭德,大久保麻梨子,巫書維,顏毓麟,劉越逖,傅子純,陳武康,施名帥,秀蘭瑪雅,應朗豐,李銓骯臟的小把戲
迪恩·凱恩,Christie Burson,邁克爾·馬德森黑暗之中
娜塔莉·多默爾,艾米麗·拉塔科斯基,艾德·斯克林,喬莉·理查德森,詹姆斯·科茲莫,尼爾·馬斯克爾,安珀·安德森,揚·貝弗特,貝恩·科拉科,萊克茜·本博-哈特,金·阿迪斯,丹尼爾·厄根,Chelsea O'Connor,雷納斯·拉特科夫斯基,奧萊加·費多羅無懼神明
莉頓·梅斯特,托比·瓊斯,本·巴恩斯,哈威·凱特爾,肯尼·沃莫爾德 ,里特奇·科斯特,保羅·本-維克托,Slaine,William Xifaras,Jay Giannone,Julie Ann Dawson,Stacey Queripel,Billy 'V' Vigeant,Armen Garo,Michael Yebba導演精選
養鬼吃人3
在經歷了前兩集的失敗之后,修道士還不死心.他發現那個邪惡的魔方被一個花花公子買走了,于是他以這個花花公子做誘餌來吸引犧牲品,在人間大開殺戒.修道士打算把魔方毀去,這樣他就永遠不用再回到地獄.但是一個女記者發現了這些可怕的兇殺案,并將修道士又一次送回了地獄.....
送葬人
本片改編自Jonathan Penner小說《The Bridge To Body Island》。講述的是三個大學生,特雷弗·梅西,杰弗里·索羅斯和西蒙·赫斯曼在校外無意間釋放出一種超自然實體的故事,凱瑞·安-莫斯、費·唐娜薇等影星傾力加盟。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.