在線播放
劇情簡介
年輕的司機發現死在他的車與泄密穿刺傷口在他的脖子上,一個精明的記者吉爾康納暫無內容(貝弗利琳)暫無內容認為死亡是犯規的結果。吉爾的研究成謀殺將她引到一家私人俱樂部,專門滿足性的欲望。雖然想要利用這次機會,多汁,吉爾已經以確保她不會最終成為危險的黑社會的另一個受害者。
同類好片
發財秘笈
李美鳳,鄭文雅,楊寶玲,黃百鳴,黃秋生飛馳人生3
沈騰,尹正,黃景瑜,張本煜,魏翔,沙溢,范丞丞,孫藝洲,段奕宏,張新成,胡先煦,李治廷,白宇帆,周政杰,高華陽,賈冰,王安宇,陳永勝,馮紹峰,郝瀚幻想游戲
久本雅美,板野友美,田中幸太朗,仙石南最后的維京人
麥斯·米科爾森,尼古拉·雷·卡斯,拉斯·蘭特,蘇菲·格拉寶,卡爾多·拉扎齊,拉爾斯·博格曼,索倫·莫靈,尼可拉斯·布若,波笛·約根森,安妮特·斯托維爾拜克,麗克·路易絲·安德森,Klaus S?ndergaard,莉拉·諾貝爾,Susanne Breuning,Bue Wandahl,Peter Düring,Alfred R?ssel L?s?,Nomi Bodnia,Joel Hesse Johansen死星
Yoon C. Joyce,Diandra Elettra Moscogiuri,Margherita Scotti,Olga Egorova,Ivan King,Gloria Capelli,Maria Arismendi,Giorgio Consoli,Noemi Marotta,Francesco Tinelli索命暹羅之按摩師
林保怡,袁百梓卉,高捷,黃愷杰,鈕蔚淇,高翔,葉勇人氣佳作
恐怖故事3:火星來的少女
任瑟雍,景收真,樸正民,洪恩熙一一
吳念真,李凱莉,金燕玲,張洋洋,蕭淑慎,尾形一成,陳希圣,林孟瑾,陳以文,柯宇綸,張育邦,柯素云,唐如韞,徐淑媛,曾心怡,陶傳正第九區
沙爾托·科普雷,詹森·庫伯,娜塔莉·博爾特,茜爾雯·斯特賴克,約翰·薩莫爾,威廉·艾倫·揚,尼克·布雷克,杰德·布羅菲,路易斯·米納爾,瓦妮莎·海伍德,瑪麗安·胡曼,維多利奧·萊奧納迪,曼德拉·加杜卡,約翰·范·肖爾,斯特拉·斯廷坎普,戴維·詹姆斯,肯尼思·恩科西,蒂姆·戈登,莫爾內·埃拉斯姆斯,尤金·孔巴尼瓦,赫棱基維·馬德拉拉,西雅邦加·拉德貝,梅爾特·西貝爾哈亨,安德勒·奧登達爾,尼克·伯萊尼,羅伯特·霍布斯時間之外的故鄉
郭輝,朱宇涵,蔡宣萱導演精選
迷失的欲望
外表漂亮的子晨內心充滿著欲望,漂亮的包包和高檔的手表的加持,子晨在人群中格外顯眼,子晨得到了極大的滿足。然而真正的奢侈品是愛情,子晨開始瞞著自己的丈夫和花花公子開始交往,隨著時間的推移,債務暴雷,情感更是騙人的游戲,子晨終于把自己推向了絕境。
地平線2024
講述美國西部在南北戰爭15年間的多方面擴張及聚居,這段史詩般的旅程充滿了危險和陰謀。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster