劇情簡介
麻美由真主演2011最新日本限制級性感劇情大片；性感尤物「午夜天使」(由麻美ゆま飾)，立誓削除世上騷擾婦女的y-蟲。她能施展強力的「天使踢」及「波霸擊」，尤其「波霸擊」是「午夜天使」48種殺人招數的一種，可吸收地球上的能量，匯集在胸部，給敵人予爆炸性的致命一擊，如此斃命的暗殺拳，敵人將動彈不得，或喪膽潰敗而逃，簡直就是必殺絕技?！肝缫固焓埂?麻美ゆま)開設「yumacofeshop」，隱藏身分在其內當老.........
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紅衣新娘2022
莎拉·菲爾伯鮑姆,愛德華多·諾列加,安娜·加列娜,迪諾·阿布雷夏,克里斯蒂娜·多納迪奧,Maurizio Marchetti,馬西莫·吉尼,羅伯塔·吉拉魯索,Odette Adado,Ippolita Baldini,Angie Balzan,Mariangela Casalucci,Malich Cissé,Angele Galea,巴基薩·梅加,Gino Nardella, 瑪麗西亞·S·佩雷斯,Stefano Pesce,Francesca Rocco,Esmeralda SpadeaRoberta e Leòn sono due quarantenni precari che inscenano un finto matrimonio per intascare i soldi degli invitati. I due protagonisti si incontrano casualmente su un autobus a Malta quando a lei si rompono le acque e viene trasportata in ambulanza all'ospedale dove partorisce un bambino. Leòn, giornalista di guerra senza incarico, accetta la proposta di Roberta e parte insieme a lei per la Puglia dove organizzano un finto matrimonio allo scopo di dividere i soldi che gli invitati metteranno nelle buste per gli sposi, visto che la famiglia di Roberta è molto benestante e molto conosciuta in Puglia. Il fratello di Roberta cerca di far saltare il matrimonio per ragioni d'interesse. La sera prima del finto matrimonio i due protagonisti vivono una notte d'amore e la mattina seguente lui si dichiara, ma lei lo respinge e insiste per il finto matrimonio celebrato da un falso prete, amico di Leòn. Il fratello di Roberta chiude il finto prete in un capanno e quindi il matrimonio viene celebrato dal parroco del paese ed è valido legalmente. Rientrati a Malta, però, Leon va via lasciando a Roberta tutte le buste regalate il giorno del matrimonio dagli invitati. Un anno dopo Leòn presenta il suo primo romanzo di successo dal titolo Sposa in rosso. Roberta si avvicina all'autore per farsi dedicare una copia del romanzo e lui nella dedica le scrive A MIA MOGLIE. I due vanno a passeggiare insieme sul mare e Roberta gli dice di aver amato in particolare il finale del romanzo e gli rilegge l'ultima frase "avevamo tutto il tempo per rimediare" e si avviano insieme verso il chiosco Vite Parallele.
時裝
安吉麗娜·朱莉,阿尼爾·阿內伊,艾拉·朗夫,路易·加瑞爾,加朗斯·馬里利埃,紀堯姆·馬貝克,文森特·林頓,肖恩·格萊特,費尼肯·歐菲爾德,米格倫·米切夫,克斯蒂·伊爾維斯·薩維納,阿黛爾·蒙特布爾,卡蒂亞·克里韋拉里,弗朗索瓦·菲利皮在時裝周的狂熱中，三位女性在巴黎的生活中不期而遇，她們一邊應對著世界的悲劇，一邊思索著自己人生的問題：麥克斯（Maxine），一位40多歲的美國電影導演，發現自己患上了癌癥；阿達（Ada），一位年輕的南蘇丹模特，逃離了她注定的命運，卻被推入了一個充滿欺騙的世界；安吉爾（Angèle），一位在T臺幕后默默工作的法國化妝師，夢想著逃離自己的生活。
校園點將錄
李麗珍,谷峰,何啟南,陳山河,焦姣,陳松伶預科學校若智書院有一群成績堪憂思想活躍的學生，校董家的謝天（何啟南 飾）與謝地兄妹憑借老爸身份，即便留級也不擔心學業；綽號水電工的嘉明為人老實，暗戀同學白逸夢（陳松伶 飾），而白逸夢滿腦子言情幻想，全然沒有留意；李時珍（李麗珍 飾）因為在南太平洋群島旅游，耽誤了開學日，在旅游期間，李時珍結識了香港青年戴運河（陳山河 飾），運河對時珍一見鐘情，不顧家人反對退掉美國大學，趕到香港入讀若智書院。運河的到來令謝天大為緊張，謝天屬意時珍日久，和死黨吳成材一直無法打動芳心，但也不能容忍運河插手。校園內一時掀起了一場多角戀愛的爭奪……校董面對惡作劇的學生們大為光火，聘請軍校老師對書院進行軍事化管理，這引發了學生們的空前團結……
鄰居的窗
瑪麗亞·迪齊亞,格雷格·凱勒,Juliana Canfield短片講述了一個帶著三個孩子的母親，因為日常生活和丈夫陷入沮喪。而這時，她發現自己可以通過窗戶看到住在對面鄰居的生活...
（情歌）
森崎溫,向井康二,及川光博,藤原大祐,齊藤京子,逢見亮太,筒井真理子,皮拉維·塔奇沙鵬,查隆拉·諾山榮,普雷瓦·蘇坦蓬被突然的任命令從東京派遣到海外工作的研究員·想太（森崎溫 飾），在曼谷與學生時代一直暗戀的凱（向井康二 飾）再會?？吹皆谔﹪鳛閿z影師兼音樂人活躍的凱的身影，內心產生了動搖。另一方面，小凱也對學生時代唱過的“未完成的歌”感到驚訝。將兩人聯系在一起的歌聲再次在心中響起……
ChaO，我代表人類跟人魚結婚了
鈴鹿央士,山田杏奈,山里亮太,宍戶佑名,梅原裕一郎,三宅健太,太田駿靜,土屋安娜,川島邦裕人間と人魚が共存する未來社會を舞臺とする本作。船舶を製造する會社で働くサラリーマンのステファンは、ある日突然、人魚王國の姫?チャオに求婚される。ステファンはわけがわからないままチャオと一緒に生活する中で、純粋でまっすぐなチャオに少しずつ惹かれていく。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.