在線播放
劇情簡介
每個民族都有不同的風俗民情,然而有些少數民族的習俗卻是相當特別。穎珊(彭丹飾)是香港著名的采訪記者,被派往中國內地采訪少數民族的特有習俗。其妹穎琪及男友亦跟隨穎珊一同前往,行經一奇怪的小村落時,車子突然發生故障,一行人只好投宿當地的小旅館。當夜晚來臨時,在旅館旁發現幾具被吸血鬼吸過血的尸體,眾人驚慌不已,才知這村落竟是大蟲教的大本營。此時珊、琪已成為邪教的目標,兩人卻渾然不知
同類好片
地平線2024
凱文·科斯特納,西耶娜·米勒,薩姆·沃辛頓,吉娜·馬隆,歐文·克勞肖,塔坦卡·米恩斯,艾拉·亨特,蒂姆·金尼,丹尼·赫斯頓,柯林·坎寧安,斯科特·黑茲,湯姆·佩恩,阿比·麗,邁克爾·魯克,威爾·帕頓,喬治亞·麥克菲爾,道格拉斯·史密斯,盧克·威爾遜,伊莎貝拉·弗爾曼,杰米·坎貝爾·鮑爾,亞歷杭德羅·埃達,Wasé Winyan Chief,邁克爾·安格拉諾,安古斯·麥克菲登,喬恩·比弗斯,亞歷克斯·尼布理,艾蒂安·凱利奇,Amos Jason Charging Cloud,博迪·奧庫馬·林頓,格雷戈里·克無情混蛋
肖恩·派特里克·弗蘭納里,Parmish Verma,卡斯帕·范·迪恩,Hasleen Kaur,李綺虹,希妮·史考蒂亞,Alex Bogomolov,艾力克斯·薩哈拉后來的我們韓版
具教煥,文佳煐,姜末琴馬爾切洛·埃爾南德斯:美國男孩
馬爾切洛·埃爾南德斯三國的星空第一部
檀健次,路金波,旺旺,任俊鵬,楊衛,良生,方浩然,沉寂,囧森瑟夫,一舟,肖合來提·艾尼,巽辰,易中天,李瀟宇,蔣鉦圣,陳一伊,何梓騫飛機和火山
迪恩·凱恩,羅賓·吉文斯,勞倫斯·希爾頓-雅各布斯,Mike Jerome Putnam,Michael William Hunter,Laura Alexandra Ramos,Natalie Burtney導演精選
偷歡忌日
簡和伴侶的森林之旅出了岔子,當一個陌生人出現并質疑他們關系的真實性時,她開始懷疑自己是否真正掌握了現實的全部真相。
臨冬
an experimental work by the Negu Collective, all of them former students of the ESCAC in Barcelona.
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster