陌生性接觸
英文名:Sex with Strangers (2002) 對于一些夫婦來說,性是壓垮他們在嚴格的一夫一妻制信念的執著。充當他們的性幻想的能力比堅持愛情或婚姻的任何公約更重要。性別與陌生人描繪了三個這樣的夫婦提供真正的親密的畫像,從幻想到實現分裂關系的絕望,顯示他們的生活正在深刻地影響他們引領生活方式的快感。詹姆斯和Theresa,一對夫婦在他們三十多歲,使用的汽車回家作為一個游樂宮從俱樂部前往俱樂部勾引情侶無論身在何處。卡爾文和莎拉都想著要結婚了,見面時朱莉,誰不擺動,而不是雙性戀者 - 直到她愛上了卡爾文。心理劇幾乎取代性,香農和杰拉德,誰是熱衷擺動,即使他們質疑的生活方式是否真的是他們。有了一個前所未有的訪問他們的生活,情趣與陌生人探討的現實...
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異形怪胎
布魯克·亞當斯,詹姆斯·凱倫,麗莎·庫卓,凱西·格里芬,Jeff Hayenga薇吉妮亞(布魯克亞當斯)與老公(杰夫海恩嘉)為了想生個孩子,用盡了一切辦法,在求教過一位專門治療不孕癥的專家(詹姆斯凱倫)后,最后終于如愿以償地成功受孕。 原本滿心期待當媽媽的薇吉妮亞,卻發現自己的身體起了不該發生的詭異變化,當夫妻倆發現這個尚未出生的孩子竟是項瘋狂實驗的成果時,卻為時已晚,薇吉妮亞腹中的「胎兒」已成了兩人無法擺脫的惡夢…
臨租家庭
布蘭登·費舍,平岳大,山本真理,香農·戈爾曼,柄本明,尼希,古川雁,金隆夫,小松裕司,長田涼子,保羅·安德里亞·迪·皮耶特羅,木村文哉,龜田梨紗,加奈·凱蒂,尾關伸嗣,筱崎志乃,楚南勇真本片講述了一位在東京落魄的美國演員的故事。他受雇于一家日本家庭租賃公司,充當門面上的“美籍演員”,由此通過扮演他人生活中的各種角色,踏上了一段意想不到的自我發現之旅。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
逆轉上半場
梁詠琪,陳湛文,凌文龍,梁雍婷,朱栢康,陳輝虹人生勝利組希文靠自己努力,打敗99.9%香港人,卻因誤信朋友面臨破產邊緣。由深水灣搬到深水埗,勢要在短時間內極速債務重組,一日未認輸一日都未輸!得知天真富二代正籌組足球聯賽,剛好同房表妹閑時會在街場與幾個小嘍啰踢波追夢,有乜比基層追夢更追夢。當然一波會有三折,到底希文與五個小孩又會如何踢出精彩的一局呢?典型格局非典型救贖,久違的溫情港產喜劇,笑聲笑聲滿載溫馨,注入我體內,大小演員個個賣力演出,演活擅打逆境波的港人故事。
時速72
弗蘭克·斯帕諾,喬治·阿克拉姆百萬富翁Diego Verastegui(Gustavo Alatriste 飾)在他自己的家里被殺害,保險箱里寶貴的公文包也被取出來了,當Diego Verastegui的保鏢回到家時,他發現了三名犯罪嫌疑人:Carlos Verastegui(George Akram 飾),百萬富翁的兒子;Anna Karina(Guillermo Londo?o 飾),一個可愛的女孩;安德烈斯,一個放蕩不羈的魔術師。三人各執一詞,究竟他們誰才是殺害Diego Verastegui的兇手?
炫舞我人生
董維恩,陳樂添,杜梵,李純洱幾個年輕時懷揣街舞夢想的青年,多年后經歷了人去人走、世故變遷,懷著對朋友的懷念,懷著對未來的憧憬,又重拾了自己年輕時的夢想,用舞蹈詮釋了人生態度……