聊齋之艷蛇

? 2.8 播放：34萬 2026-04-27

明朝永樂年間，西安少年曹文廣因為家境貧寒，生活非常艱辛，不想甘于貧窮的曹文廣，決心為報答養母養育之情且光耀家門，于是他從小刻苦讀詩書。在他18歲時，曹文廣前往京城赴京趕考，途中因瓢潑大雨在一座深山寺廟中遇見由蛇精幻化成的仙女，這過程中歷經了很多艱難苦難，但是曹文廣并沒有因為仙女是蛇精而拋棄她，反而與蛇精展開了一段神奇的戀情，最后他不僅與其結夫妻，最重要還到一批寶藏。

在線觀看

? 播放 聊齋之艷蛇

劇情提要

明朝永樂年間，西安少年曹文廣因為家境貧寒，生活非常艱辛，不想甘于貧窮的曹文廣，決心為報答養母養育之情且光耀家門，于是他從小刻苦讀詩書。在他18歲時，曹文廣前往京城赴京趕考，途中因瓢潑大雨在一座深山寺廟中遇見由蛇精幻化成的仙女，這過程中歷經了很多艱難苦難，但是曹文廣并沒有因為仙女是蛇精而拋棄她，反而與蛇精展開了一段神奇的戀情，最后他不僅與其結夫妻，最重要還到一批寶藏。

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

寬恕我們

A story of redemption in a world gone dark.