在線播放
劇情簡介
慶洙和鄭民曾經是最幸福的夫婦在世界上。然而,她的丈夫葉一個漫長的出差區域面積后,鄭某分鐘單獨離開了家。雖然她試圖對付她寂寞的感情,她的兒子的導師閔赫開始與她的辛勤調情。雖然鄭民知道她應該不會,她開始被吸引到民赫越來越多。同時,慶洙發現他的地方在區域區一所寄宿房子,開始變得吸引到板房子的主人,誰是一個單親母親帶年幼的女兒。
同類好片
殺出銀河系
Edward Albert豪門夜宴
曾志偉,鄭裕玲,吳耀漢,洪金寶,張學友,梁家輝,關之琳,林子祥,梁朝偉,岑建勛,鞏俐,周星馳,黎明,葉倩文,劉德華,張曼玉,許冠文,吳孟達,張國榮,梅艷芳,王祖賢,郭富城,惠英紅,毛舜筠,狄龍,劉家輝,任達華,吳宇森,朱咪咪,吳大維,吳君如,李嘉欣,李麗珍,杜琪峰,沈殿霞,姜大衛,徐克,張艾嘉,張耀揚,麥嘉,袁潔瑩當邪惡潛伏時
埃澤奎爾·羅德里格斯,Demián Salomón,路易斯·齊姆博夫斯基,Marcelo Michinaux,Federico Liss,Silvina Sabater,Emilio Vodanovich,Paula Rubinsztein,Virginia Garófalo,Desirée Salgueiro第六感1999
布魯斯·威利斯,海利·喬·奧斯蒙,托妮·科萊特,奧莉維亞·威廉姆斯,唐尼·沃爾伯格,特拉沃·摩根,彼得·安東尼·唐伯蒂斯,格倫·菲茨杰拉德,米莎·巴頓,Lisa Summerour,法爾德斯·巴姆,杰弗里·澤布尼斯養鬼吃人8:地獄世界
蘭斯·亨利克森,凱瑟琳·溫妮克,克里斯托弗·賈科特,卡里·佩頓,亨利·卡維爾,維克多·麥奎爾,道格·布拉德利,Catalina Alexandru分秒間離
奧蘭多·瓊斯,Edmund Entin,Gary Entin導演精選
黑暗之家
1978年的某個寒冷秋夜,迷路的希羅頓走進了一個偏僻的農場。農場主夫婦熱情地招待了這位不速之客,賓主一起喝酒聊天,談得十分投機。不料人心的貪欲引發了血的悲劇…… 四年后的冬天,姆爾茲警官負責調查這起兇殺案,他和重要證人希羅頓一起前往現場檢證。敷衍了事的調查、嫌疑人的回想……在一片混沌之中,驚人的真相漸漸浮現而出……
懸崖絕壁
故事以19世紀的開曼群島為背景,索爾達娜飾演居住在加勒比海地區的埃克塞爾,這是一個非常強勢的女性角色,當她的島嶼被兇殘的海盜入侵時,她過去的秘密將被揭開。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster