肉欲
一位中年屠夫終日在店中沉湎于黑暗中的離奇性幻想，新的意y-對象是他剛幫助過的年輕女孩羅克茜，最終他們發(fā)生了關系。此時發(fā)生了一宗謀殺案，調(diào)查期間，屠夫引起了調(diào)查員的特殊興趣....
即刻觀影
劇情賞析
編輯推薦
毛骨悚然撞鬼經(jīng) 2020秋季特別篇
稻垣吾郎,上白石萌音,片岡愛之助,水上恒司,川島鈴遙,桐谷美玲,菜菜緒,長澤雅美,神木隆之介,伊藤淳史,堀北真希,坂上忍,生田繪梨花,生駒里奈,白石麻衣,西野七瀨,齋藤飛鳥,佐藤健本集收錄新作《造了不開啟的房間》《有內(nèi)情的KTV》及過去二十年名作選《交出手臂》《身后的女人》《深夜的鏡像》《懸崖下》《書本招來的幽靈》《出租車司機的經(jīng)歷》《多出一人的電梯》《顏之道》。
古宅謎案
貢米,郭秋成,劉家麟,黑妹,李中煜,馮淇祈,劉禹君月黑風高，古宅之夜，白衣鬼魅誅殺滿桌男女老幼，尖叫連連，血流滿地，慘不忍睹！是死去怨靈的還魂復仇？還是來自人間的情感糾葛？故人重返古宅，詭異事件頻發(fā)，魅影時而飄過古宅郎亭角落，令人膽戰(zhàn)心驚！
最后的日出
張玨,張苒在未來，地球上所有的化石能源都被消耗殆盡，人類全面進入了太陽能時代。能源公司開始全面的開發(fā)和控制太陽，人類社會逐漸向完全依賴太陽能Ⅱ型文明邁進。 但在一次人類科學無法探明的天體活動中，太陽突然消失了。整個世界陷入了黑暗的無政府狀態(tài)，大面積搶奪生存資源的惡性事件在城市不斷發(fā)生，富人乘坐宇宙飛船逃離到其他星球，普通人只能留在地球享受世界末日。社恐障礙的天文學自由撰稿人孫煬與素未謀面的廢柴鄰居陳暮被迫結伴共同踏上末日逃亡之旅，前往傳說中人類最后的庇護之所——第四區(qū)。一路上他們與形形色色的人匆匆相遇，見到了最殘酷的人性與最溫情的告別。在無數(shù)次的死里逃生之后，兩顆寂寞的心開始慢慢靠近，并在殘酷的災難面前逐漸發(fā)現(xiàn)了生命的意義……
圣誕傾情
琳賽·洛翰,考德·歐威爾斯特利特,杰克·瓦格納,吳宇衛(wèi),奧利維亞·佩雷斯,布萊斯·霍華德,阿麗·洛翰,安東尼奧·查麗蒂,Colleen Mooney,Chase Ramsey,Sean Dillingham,Alireza Mirmontazeri,Kate Rachesky,Alejandra Flores,Kylie Rohead,Cat Hammons養(yǎng)尊處優(yōu)的酒店繼承人（琳賽·洛翰 Lindsay Lohan 飾）才訂婚不久，便因一場滑雪意外完全失憶。幸好藍領階層的英俊木屋主人（考德·歐威爾斯特利特 Chord Overstreet 飾）和他聰慧早熟的女兒收留了她，三人共同度過圣誕節(jié)前的時光。
鐵血戰(zhàn)士：殺戮之地
艾麗·范寧,迪米特里烏斯·舒斯特-科洛阿瑪坦吉跟隨一位被部落放逐的年輕鐵血戰(zhàn)士，深入一片連宇宙頂級獵手都聞風喪膽的險惡之地。在那里，他將與維蘭德-湯谷公司制造的仿生人希雅（Thia）意外結盟，這位僅存上半身的仿生人，將與他共同踏上尋找終極對手的冒險征途。當“菜鳥”鐵血初次狩獵便陷入最嚴酷的試煉，一步行差踏錯即刻墜入無可挽回的深淵，唯有浴血廝殺，才能在絕境中爭得一線生機。而這場終極較量也將顛覆鐵血戰(zhàn)士的狩獵法則——生存并非勝利的終點，而是通往更殘酷考驗的開始。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster