買下我
卡潔（尤里亞·凱林娜 飾）是一個渴望冒險的富家女，她瞞著母親向模特兒經(jīng)紀公司申請并前往迪拜參加時裝秀，然而她卻發(fā)現(xiàn)一切只是國際賣淫組織的布局。在那里，她認識了麗莎（安娜·阿達莫維奇 飾），兩人決定一起返回莫斯科并與麗莎的室友蓋雅（斯薇坦娜·烏斯蒂諾娃 飾），三人共同經(jīng)營一樁高級應(yīng)召女郎的事業(yè)……
即刻觀影
劇情賞析
編輯推薦
再一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,喬納森·懷特賽爾,裘德·威爾遜,加菲爾德·威爾遜,Keana Velsen,西蒙·錢,威廉·威爾德,Loreen Regnander,Parveen Dosanjh,Elliot Drew,安德魯·科蘭特斯,Tommy Europe,Karina Frislev前特種部隊隊員丹尼被迫重返一座偏遠孤島。一個殘暴又隱秘的組織為了報復(fù)，綁架了他的女兒亞歷克斯，并布下天羅地網(wǎng)，對他展開一場步步緊逼、針對他所有行動都早有準備的殘酷獵殺。
亂馬12：中國昆侖大決戰(zhàn)！破壞計劃之激斗篇！！
山口勝平,林原惠美,日高范子,鹽澤兼人,玉川紗己子,大林隆介,緒方賢一,高山南,井上喜久子,鈴置洋孝,井上和彥,鶴弘美,山田榮子,松井菜櫻子,山寺宏一,佐久間玲,關(guān)俊彥,島津冴子,吉村傭,子安武人,真殿光昭,石田彰,永井一郎,麻生美代子又是一個平靜的日子，內(nèi)褲愛好者八寶齋（永井一郎 飾）四面出擊，惹得亂馬（山口勝平 飾）、小茜、良牙（山寺宏一 飾）、珊璞（佐久間レイ 飾）等人紛紛加入進來，在鎮(zhèn)上惹出巨大的騷動。正當眾人鬧得不可開交之時，一頭裹挾著黑色殺氣的大象突然襲來。它和美麗的主人向八寶齋發(fā)起攻擊。與此同時，天空陰云密布，一艘巨船出現(xiàn)在空中。他們是來自中國內(nèi)地寢昆侖的七福道神，這群神秘之人不僅搶走騎象少女帶來的奧義經(jīng)卷，還虜走了小茜。亂馬一眾不堪就范，決定啟程前往中國……本片根據(jù)高橋留美子的漫畫《亂馬1/2》改編，系該動畫的劇場版第一部。
越戰(zhàn)黑金剛
萊伯·布朗,凱瑟琳·希克蘭,克勞迪奧·弗拉加索,盧西亞諾·皮格齊越戰(zhàn)期間（實際應(yīng)該是入侵巴拿馬）美軍秘密研制的機器人代號黑金剛突然暴走。一隊雇傭軍潛入?yún)擦诌M行搜索。大部分被干掉。最后隊長與黑金剛決一死戰(zhàn)時發(fā)現(xiàn)黑金剛其實是自己昔日戰(zhàn)友改造而成。黑金剛在最后關(guān)頭回心轉(zhuǎn)意，啟動自我毀滅。。。。
77號頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome CosioLuna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
錯體姻緣
莫少聰,翁虹,午馬乾隆年間國泰民安，百姓安居樂業(yè)欣欣向榮過的是好不快活。 皇上在御前侍衛(wèi)高迪的陪同下前往江南體恤民情。在皇上出宮后一長陰謀正在展開，一位野心勃勃的王爺竟然暗地與當?shù)睾趲凸唇Y(jié)一路追殺皇帝。 在前往惠州城的路上遇上了從京城逃婚離家的野蠻格格賈仁。經(jīng)過一場“惡斗”后三人決定一同上路，在惠州城的集市遇到了在集市中擺擂臺的“洋鬼子”元宵。元宵在比試中輸給了賈仁格格執(zhí)意要讓賈仁格格收他為徒。三人想盡辦法卻無法擺脫元宵，無奈只能收下元宵為徒。半夜在惠州城的某客棧，突然出現(xiàn)蒙面黑衣人刺殺皇帝，還好刺客技藝不精，皇帝沒有受到半點傷害。高迪決定四人連夜趕往他的老家避難。 在高迪家中，皇上遇到高迪的表妹惠喬，皇上對惠喬一見傾心，賈仁格格也慢慢的愛上了那個英俊風流的侍衛(wèi)高迪。賈仁格格與元宵在回家的路上遇到一對奇丑無比的戀人。兩人因為相貌丑陋所以年過四十還沒成家。善良的賈仁格格便與眾人一起幫助這對苦命鴛鴦籌辦婚禮，終于讓這對苦命戀人有情人終成眷屬。皇上與惠喬，高迪與賈仁在這段日子感情也逐漸升溫。豈料此時皇上與惠喬被蜻蜓幫綁架，高迪與賈仁心急如焚，托朋友四處打聽皇上與惠喬的下落。 綁架皇上的正是蜻蜓幫的幫主夫人瑤，此女人也曾經(jīng)是皇上的愛人，當年為了皇帝背叛幫會。由愛生恨，此女對皇上當年棄之不顧的事耿耿與懷。但是在與皇帝相處的這段日子里舊情復(fù)燃并偷偷的通知高迪皇帝被囚禁之處。 在與眾人的幫助下高迪終于找到了皇帝的所在，但在這個時候元宵露出了狐貍尾巴，眾人沒有想到元宵竟然是蜻蜓幫的人，在這個關(guān)鍵時候元宵倒戈相向。所幸的是元宵的背叛并沒有個給大家?guī)硎裁绰闊詈筮€是將皇帝從蜻蜓幫的魔爪之中救出。通過這次危難四人的感情更是牢固，最后成就了這一段錯體姻緣。