老樓真有鬼，背后不是人！青年錄音師入住鬼樓，聽到鬼頻率，看到鬼飄移……長發女鬼，時隱時現，時而爆發出驚人尖叫，時而傳來隱隱的鬼哭……突然之間，女鬼出現在房頂，一回頭，女鬼又驚現在被子里！慘叫不斷，驚嚇不斷，鬼魅血臉猙獰扭曲，陰森鬼爪驚悚索命！女主陪同男主勇闖鬼樓，挑戰千年怨靈，等待他們的是冤魂的報復？還是厲鬼的劫殺？一切都是未知！月圓之夜，人鬼決戰呈現在荒郊野外，鬼BOSS終于邪惡登場，終極顫栗一觸即發！誰敢回頭看背后？顫抖吧，尖叫吧！

葉凡與王騰雙天驕宿命對決，北原王家來勢洶洶，姬家老祖心懷鬼胎，姬紫月淪為家族聯姻工具，葉凡身陷眾矢之的?；墓攀ンw碰撞亂古傳承，誰才具真正大帝之姿？

　　恩里克（費雷?馬丁內茲 飾）和伊格萊西奧（弗朗西斯科?拜奧拉 飾）是教會學校的同學，更是一對同性戀人。學校的莫雷神父以留下恩里克為誘餌占有了伊格萊西奧，但最終恩里克還是離開了教會學校。這對同性戀人也就勞燕分飛。　　成年后的恩里克已是一名大有前途的導演。一天，伊格萊西奧帶著劇本找到了恩里克，希望自己能出演男主角。劇本描寫的就是他們的成長經歷加上想象的成年經歷，恩里克對劇本十分感興趣，但卻不同意由伊格萊西奧出演?！　‘敹骼锟藖淼揭粮袢R西奧的家鄉時，秘密一幕幕揭開……

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster