五個芭蕾舞者去參加比賽，卻遭遇公車墜毀，被困在一家偏遠旅館中，遭遇殺身之禍，必須用自己的舞技逃脫危機。

　　帶著過往傷痛，塞吉歐只身一人前往「微笑之村」擔任代理教師。這座對負能量零容忍的小鎮，明明曾遭逢巨變，居民們卻笑口常開。原來，讓這座微笑之村風光明媚的秘方，是一位能吸取人間苦痛的男孩，他的身體如祭壇，透過擁抱承擔全村的悲傷。他為人搭建快樂天堂，自己卻陷入無盡黑暗。塞吉歐與男孩的相遇，攪亂了鎮上的平衡；那座煉獄之門，也終將反向人間敞開。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

 Prophecy says that six warriors will end a brutal tyrant's rule. Swords clash as the battle between good and evil explodes!