連環強奸犯
Payton暫無內容Collins:暫無內容Serial暫無內容Rapist暫無內容is暫無內容a暫無內容delicious暫無內容new暫無內容slice暫無內容of暫無內容"Darkotica"?暫無內容from暫無內容director暫無內容Toby暫無內容Ross暫無內容-暫無內容featuring暫無內容plenty暫無內容of暫無內容full暫無內容frontal暫無內容nudity暫無內容from暫無內容an暫無內容adorable暫無內容cast暫無內容of暫無內容hung暫無內容young暫無內容dudes暫無內容sporting暫無內容sizeable暫無內容erections.
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劇情簡介
Payton暫無內容Collins:暫無內容Serial暫無內容Rapist暫無內容is暫無內容a暫無內容delicious暫無內容new暫無內容slice暫無內容of暫無內容"Darkotica"?暫無內容from暫無內容director暫無內容Toby暫無內容Ross暫無內容-暫無內容featuring暫無內容plenty暫無內容of暫無內容full暫無內容frontal暫無內容nudity暫無內容from暫無內容an暫無內容adorable暫無內容cast暫無內容of暫無內容hung暫無內容young暫無內容dudes暫無內容sporting暫無內容sizeable暫無內容erections.
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史哲文,樊瑞,董祥玉,任重,汪雨升遺忘尼克
英格麗德·波爾索·貝達爾,露西·波爾,哈魯克·比爾根納爾,卡蒂婭·里曼,科斯馬·肖,羅伯特·西利格瘋狂的外星人
黃渤,沈騰,湯姆·派福瑞,馬修·莫里森,徐崢,于和偉,雷佳音,劉樺,鄧飛,蔡明凱,王戈,凱特·納爾遜,王硯偉,呲路我們是伯利恒
多洛蕾斯·方齊,卡米拉·普拉阿特,勞拉·帕雷德斯,朱麗葉塔·卡迪納利,Sergio Prina,路易斯·馬辛,凱撒·特龍科索,Lili Juarez,Ruth Plaate,Gaia Garibaldi,Susi Andersen,Eugenia Blanc,Daniel Cabot,Camila Caram,Aquiles Casabella,Edgardo Castro,Tamara Dawidowicz,Pilar Mestre Del Bono,Fabio Di Tomaso,Sofía Diam導演精選
害蟲
少女幸子(宮崎葵飾)和老師的師生戀緋聞被傳得風風雨雨,相依為命的母親稔子(Ryo飾)則自殺未遂。打擊不斷的生活令幸子無法承受,升入中學后,她不去上學,每天閑逛打發時間。她和依靠小偷小摸賺錢的少年隆夫、精神脆弱的中年人久蔵成為了朋友。隆夫離開后,幸子和好友夏子(蒼井優飾)返回了學校。 不久后,她又差點被母親的新歡德川強暴。謠言又起,幸子失望地離開學校。昔日的老師戀人現在發電所工作,幸子準備去他那里。然而在約定的小茶店里等了很久,他還是沒有出現。灰心的幸子跟一個前來搭訕的男子離開茶店……
銀瀑2:重現
Several years after a deadly struggle with her serial killer aunt, Jordan works to escape her troubled history. But when her aunt's revenge-seeking specter surfaces to join forces with a deranged convict, Jordan must return to the haunted town of Silver Falls for a final showdown with the ghosts of her past.
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.