劇情簡介
一個女人目睹了一樁命案暫無內容暫無內容可惜真正的殺人兇手就是.......卡羅維發利
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朱顏曼滋,任彬,趙小棠,王天放,于謹維,王勁松,金廣發,王勉,顏安,趙夕汐,孫丞瀟 ,張帆,錢迪迪,汪曲攸,鄧飛,于小彬,丁文博,牛犇,葛兆美情感博主祝君好(朱顏曼滋 飾)與在民政局工作的龔璽(任彬 飾),兩個本該最懂“愛”的人,卻在520這天領了離婚證。面對毀不掉的婚紗照和分不清的牽絆,兩人一拍即合,決定開啟一段“非傳統”的高效關系——互給對方介紹對象!然而相親局逐漸失控,龔璽重逢了自己曾經的相親對象紀小舒(趙小棠 飾),祝君好則遇上了前任向涵(王天放 飾),還有“八離世家”的霸總和“懂王”附體的弟弟。這對“離婚搭子”在互坑與互助之間,開始重新審視自己的親密關系,也意外踏上了一段關于“愛”的二次探索。
啄木鳥和雨
役所廣司,小栗旬,高良健吾,臼田麻美,伊武雅刀,山崎努寧靜的山村進入雨季。村中的老伐木工人岸克彥(役所廣司 飾)為人古板,與兒子關系緊張。他在上工途中給東京來的新人導演田邊幸一(小栗旬 飾)和副導演帶路,由此被拉入一部喪尸電影的外景拍攝。在被迫充當臨時演員后,克彥竟對電影產生了微妙的興趣,他開始不請自來的幫助攝制組與村民溝通,開展工作,甚至忽略了本職與妻子的忌日。 突然闖入的攝制組擾亂了山村的平靜和克彥的生活,也改變了導演幸一自身。幸一生性靦腆缺乏自信,在攝制組中毫無威信。偶然間他發現自己的喪尸劇本竟為克彥所欣賞,不禁大受鼓舞,兩人在數次的泡澡時間里進行了奇妙的溝通。在克彥的幫助下,幸一慢慢樹立了自信,電影拍攝也步入正軌。然而臨關機前的一場瓢潑大雨再次令拍攝陷入危機,克彥的缺席也令幸一惶恐無措起來…… 影片獲第24屆東京國際電影節評委會大獎。片中兩位主演役所廣司和小栗旬在現實中亦均擔任過導演。
雨和閃電的氣息
麥卡·夢露,瑪姬·格蕾斯,布拉德·卡特改編自著名推理作家南希.皮卡德於《紐約時報》的暢銷同名小說 過往的父母雙屍命案,因為殺人兇手出獄而再度成為喬蒂的噩夢,她被迫再次審視那道往日的傷痕,並且身不由己地反覆被仇恨啃噬…而家族秘辛也隨著時間過去,重新露出面目,要讓所有人都付出代價…。
廢世界
故事設定在《廢頭》世界的1042年前,以機器人“羅賓”作為主角。羅賓原本作為護衛,隨同調查隊長特里斯前往地下世界調查異常情況。盡管肩負保護特里斯的使命,但調查隊卻遭到了人工生命體馬里甘的邪教組織“吉拉教”的襲擊。在壓倒性的戰力差距下,調查隊陷入苦戰。然而,在這場激烈的交鋒中,他們發現了次元的扭曲,并逐步揭開地下世界隱藏的秘密與異變的真相。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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袁曉旭,張嘉佑,胡浩帆,黃一山一個關于“時間膠囊”的機密研究項目,因能量塊失竊陷入危機,引發了一系列時空穿越事故。現代人蘇寶銀意外接觸到形似手機的能量塊,流離于古代異時空和二十一世紀現代兩個世界之間,美顏國王爺霍靖及兩個隨從為尋找她,也被意外卷入時空黑洞闖入現代。三個古代呼風喚雨的王爺將軍,走入了完全陌生的現代世界,陷入囧境啼笑皆非。回到現代的蘇寶銀在思念王爺的同時,遇上了英俊睿智的孫警官,這背后又隱藏著什么樣的驚天陰謀呢?當正義戰勝邪惡,當一切終結,蘇寶銀又回到了原點,再遇她的愛人,卻已形如陌路......