阿爾尼

? 0.3 播放：52萬 2026-04-27

Biennale College Cinema A lonely journeyman working with a traveling circus who attempts to tame a python in the hopes that it will bring him closer to the family running the show.

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? 播放 阿爾尼

劇情提要

Biennale College Cinema A lonely journeyman working with a traveling circus who attempts to tame a python in the hopes that it will bring him closer to the family running the show.

暗夜精選

政壇新星

艾瑪·麥基,杰米·李·柯蒂斯,伍迪·哈里森,阿尤·艾德維利,杰克·勞登,庫梅爾·南賈尼,艾伯特·布魯克斯,麗貝卡·豪爾,朱莉·卡夫娜,貝琦·安·貝克,斯派克·費恩,茜多·塞絲,Amelie McKendry,阿德里安·M·蒙波因特,喬伊·布魯克斯,埃里卡·麥克德莫特,肖恩·菲茨吉本,Kellen Raffaelo,Carrie Adams,Michael Steven Costello

飛馳人生3

沈騰,尹正,黃景瑜,張本煜,魏翔,沙溢,范丞丞,孫藝洲,段奕宏,張新成,胡先煦,李治廷,白宇帆,周政杰,高華陽,賈冰,王安宇,陳永勝,馮紹峰,郝瀚

放飛旅行團

姜河那,金英光,車銀優,姜泳錫,韓善伙

富貴逼人來

彼得·塞勒斯,雪莉·麥克雷恩,茂文·道格拉斯,杰克·沃登,理查德·貝斯哈特

金箍上的裂痕

魔法老師

西蒙·佩吉,凱特·貝金賽爾,羅賓·威廉姆斯,羅伯·里格爾,特瑞·吉列姆,約翰·克里斯,喬安娜·拉姆利,艾迪·伊扎德,亞歷克薩·戴維斯,艾瑞克·愛都,邁克爾·帕林,特瑞·瓊斯,羅伯特·巴瑟斯特,梅拉·沙爾,艾瑪·皮爾森,朱蒂·羅,桑吉夫·巴哈斯卡,布萊恩·考克斯,羅南·薩莫爾斯,加文·斯科特,瑪格麗塔·道爾

感恩節

帕特里克·德姆西,泰·奧爾森,吉娜·格申,加布里埃爾·達文波特,凱倫·克里奇,內爾·維拉克,里克·霍夫曼,德里克·麥克加特,凱瑟琳·特羅維爾,杰倫·托馬斯·布魯克斯,米卡·阿蒙森,阿曼達·巴克,沙琳·格里芬,提姆·狄龍,克里斯·桑迪福德,艾蒂森·蕾,托馬索·薩內里,珍娜·沃倫,林恩·格里芬

幕后花絮

與祖國同在

 故事發生在一艘名為“托林號”的英國皇家海軍驅逐艦上，在一場激烈的海戰中，該驅逐艦擊落了多駕敵機，創下了赫赫戰功，但它也因為拼搏在戰斗的第一線而傷痕累累，最終中彈起火。在艦長金洛斯（諾埃爾·考沃德 Noel Coward 飾）的要求之下，船員們放棄了托林號，塔上了救生艇，其中包括軍士長沃爾特哈迪（伯納德·邁爾斯 Bernard Miles 飾）和新兵肖蒂（約翰·米爾斯 John Mills 飾）等人。一行人在海上艱難漂泊，全憑意志和對家人的思念才勉強幸存，最終被一艘英國軍艦救起，獲救之時，剛開始浩浩蕩蕩的240名官兵，僅剩下19人。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster