狗神（中字）

★ 7.7 播放：70萬 更新：2026-04-27

在日本高知縣的山中，生活著一個擁有絕美容貌的中年女子坊之宮美希（天海祐希暫無內容飾）。年輕時她與哥哥發生不倫之戀，這段刻骨銘心的經歷后，美希選擇隱居深山，靠做日本紙過著平靜的生活。村民傳言，美希擁有“狗神”的血統，凡是與她接近的人都將遭遇不幸。某天，美希邂逅新來的青年教師奴田原晃（渡部篤郎暫無內容飾），兩個疏離之人迅速陷入纏綿的愛戀之中。似乎因愛情的潤澤，美希變得愈發年輕、美麗。這個變化愈加印證了村民的猜測，他們恐懼、憤怒，企圖將美希趕出山村。而那對相戀的人兒，則不得不去面對命運的嘲弄與審判……

在線播放

劇情簡介

在日本高知縣的山中，生活著一個擁有絕美容貌的中年女子坊之宮美希（天海祐希暫無內容飾）。年輕時她與哥哥發生不倫之戀，這段刻骨銘心的經歷后，美希選擇隱居深山，靠做日本紙過著平靜的生活。村民傳言，美希擁有“狗神”的血統，凡是與她接近的人都將遭遇不幸。某天，美希邂逅新來的青年教師奴田原晃（渡部篤郎暫無內容飾），兩個疏離之人迅速陷入纏綿的愛戀之中。似乎因愛情的潤澤，美希變得愈發年輕、美麗。這個變化愈加印證了村民的猜測，他們恐懼、憤怒，企圖將美希趕出山村。而那對相戀的人兒，則不得不去面對命運的嘲弄與審判……

導演精選

瑞典魚雷

　　World War II is around the corner, but the only thing Sally Bauer can think of is the ocean. Her dream is to swim across the English Channel. Her father has tried to exorcise her obsession with swimming since she was a toddler, without success. An unwanted pregnancy forces her to abandon her dream – and herself. The child’s father does not want to be involved, so as a woman in the ‘30s in Sweden, Sally has no choice but to do what is expected of her: to be a mother. There is no place left for her dreams and Sally is pulled into bottomless darkness, until her sister Carla saves her. With renewed purpose, together the sisters begin to dismantle the conventions they are constantly facing. In late August 1939, Sally stands on the shore at Dover and takes her first step into the English Channel. She swims across the open and icy sea for 15 hours, waving to the Navy who are readying for war. A couple of days after Sally swims ashore at Calais, Poland is invaded.

無依之地

 2008年金融危機下，美國內華達州昂皮爾小鎮的重要經濟支柱石膏廠倒閉，人去鎮空，這里的郵政編碼也被取消。丈夫去世后，幾乎在在昂皮爾小鎮度過了一生的弗恩（弗蘭西斯·麥克多蒙德飾）無力獨撐生活。為了將生活成本壓到最低，她將簡陋的家當搬上了改裝后的廂式貨車，開始了一邊打工、一邊西行的公路生活。她在亞馬遜流水線上、在游樂園的咖啡廳里、在國家森林公園做臨時工。一路上，她和許多廂式貨車寄居者相遇、相識，彼此幫助，并締結了友誼。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster