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僵尸參將2
張峻鳴,恩璟,鐘雷,常元佳,廖茉汐清末,記者黛雪揭發妖道利用僵尸販運少女。幕后黑手是明朝后裔七公主,她借販賣少女籌復國經費,并將哈布參將煉為僵尸。暴露后,七公主放出吸血鬼威廉,哈布恢復意識迎戰。危急時師兄石敢當趕到,眾人合力鏟除七公主與威廉。
華氏247
絲柯·泰勒-考普頓,克里斯蒂娜·烏洛亞,特拉維斯·范·文克,邁克爾·科彭,泰勒·梅恩,Rene Etore,托尼克·戈格里基亞尼,Jeremy Inabnit,Igor Lukin,Ibrahim Idowu,Michael Zaalishvili,Michael Andrew,Beso Natsvlishvili,George Dugashvili,Mamuka Mazavrishvili II晴朗的一天,三年前痛失男友的珍娜(絲柯·泰勒-考普頓 Scout Taylor-Compton 飾)與好友瑞妮(克里斯蒂娜·尤羅爾 Christina Ulloa 飾)、邁克(邁克爾·科彭 Michael Copon 飾)以及新結識的帥氣青年伊安(特拉維斯·范·文克 Travis Van Winkle 飾)前往某個鄉村,參加當地舉行的五月節。湖畔小屋,笑語歡歌,青年男女們縱情歡樂,只有珍娜強顏歡笑,似乎久久無法從三年前的慘劇中走出。隨著夜幕降臨,四人走入桑拿室,體會無上的蒸汽享受,而危機也正一步步向他們迫近。在此期間,邁克和瑞妮突然爆發爭吵,前者奪門而出,大發雷霆,而瑞妮和珍娜、伊安稍后卻發現,他們三人卻被意外鎖在桑拿室中。 溫度逐漸升高,而死神的腳步越來越近……
死亡陰影
邁克爾·比恩,亞歷山德拉·達達里奧,布雷特·里克比,諾蘭·杰拉德·馮克,斯賓塞·李斯特,約翰·薩維奇,佩頓·李斯特,凱瑟琳·邁瑟爾,瓦倫蒂娜·德·安吉麗斯1989年,位于賓夕法尼亞州的東部礦區麥諾斯維爾小鎮,年僅6歲的小男孩馬丁·布里斯托爾(蔡斯·佩哈切克 Chase Pechacek 飾)被人綁架。在此后的5年里,馬丁身在何處?又經歷了什么?無人知曉。 1994年的一天,父母雙亡的少女艾莉森·米勒(亞歷珊德拉·達達里奧 Alexandra Daddario 飾)隨叔叔喬納森(邁克爾·比恩 Michael Biehn 飾)搬到麥諾斯維爾居住。這個出身大城市的女孩漸漸適應了這個偏遠鄉間的生活,也結識了帥氣的男孩威廉(諾蘭·吉拉德·范克 Nolan Gerard Funk 飾)。但是新生活的陽光很快退去,那幢廢棄的農舍引起了艾莉森注意。她不知道,失蹤已久的馬丁也在黑暗中注視著他,這個男孩過早地見識了事件最為殘酷與血腥的一面……
風車小騎士
Facundo Reyes,Marina Blanke,Julian Janssen"Giants of La Mancha" is an extraordinary and adventurous journey for the whole family, following 11-year-old Alfonso, heir to Don Quixote, and his three imaginary rabbits, which are joined by Pancho and Victoria. With their power of friendship, they save their beloved hometown somewhere in La Mancha from a huge storm.. They dream the impossible dream, overcome their fears, and use their imagination to find the real force behind the storm.
四面三角
Barbara Payton,James Hayter,Stephen Murray
皆為好事
盧卡斯·德拉蒙德,Liev Carlos,吉列爾梅·提奧,諾瓦爾·伯巴里,Cecília Brito,Fernando Libonati,Igor Leoni,雷娜塔·卡瓦略,Lizz Miranda,Brenda Oliveira,Rafael Freire,Matheus Nascimento,吉歐瓦多·索扎,Cuié,Luke,Rouxinol,Gleysson Moreira,Helder Amorim,Laio Andrade,Marcus ViniciusBeginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.