家屬 母與姐妹的嬌聲
我不會讓媽媽或姐姐干涉 風(fēng)花向曾被她視作哥哥而崇拜的Guess Man做出了宣言，現(xiàn)在他卻成了她憎恨的對象。 然而，他們并不知道自己已經(jīng)被播種了…… 不敢改正，只為讓我在游泳比賽中吞噬健美的四肢 是在學(xué)校的更衣室里穿著泳裝襲擊富香…… 兒子去觀察憂心忡忡的美婆婆乙羽的工作態(tài)度 當(dāng)我在桌子底下強(qiáng)行踩腳時，看到這個男人威嚴(yán)的外表和他對下屬準(zhǔn)確指示的方式，給我留下了深刻的印象。 音葉揭露了丈夫的秘密…… 事實上，對他的貞潔動搖了美麗婆婆的根基，她阻止了她落入兒子的棍棒...... 無法抑制從身體深處涌上來的疼痛…… 凪咲感覺到身體深處有一種明顯的悸動，緊張和恐懼向她襲來……
在線觀看
劇情提要
我不會讓媽媽或姐姐干涉 風(fēng)花向曾被她視作哥哥而崇拜的Guess Man做出了宣言，現(xiàn)在他卻成了她憎恨的對象。 然而，他們并不知道自己已經(jīng)被播種了…… 不敢改正，只為讓我在游泳比賽中吞噬健美的四肢 是在學(xué)校的更衣室里穿著泳裝襲擊富香…… 兒子去觀察憂心忡忡的美婆婆乙羽的工作態(tài)度 當(dāng)我在桌子底下強(qiáng)行踩腳時，看到這個男人威嚴(yán)的外表和他對下屬準(zhǔn)確指示的方式，給我留下了深刻的印象。 音葉揭露了丈夫的秘密…… 事實上，對他的貞潔動搖了美麗婆婆的根基，她阻止了她落入兒子的棍棒...... 無法抑制從身體深處涌上來的疼痛…… 凪咲感覺到身體深處有一種明顯的悸動，緊張和恐懼向她襲來……
暗夜精選
索命舞娘
麥迪·齊格勒,拉娜·康多,艾瑞絲·阿帕托,阿凡提卡·萬達(dá)納普,米利森特·西蒙茲,烏瑪·瑟曼,莉迪亞·倫納德,邁克爾·卡爾金,Kate Freund,克里斯蒂安·恰克瓦里,加博爾·納吉帕爾,Julian Krenn,沙哈布·魯巴達(dá),鮑拉日·邁杰里,貝拉·奧爾薩尼,弗朗西斯·麥克伯尼,亞當(dāng)·邦奇,Miklós Béres,Klára Spilák,Gary Cothenet京都球俠
張豐毅,陳佩斯,姜昆,寶麗娜·拉芳,孫敏,于紹康,王姬,劉江,唐杰忠,里坡,管宗祥,歐陽奮強(qiáng),高強(qiáng),高保成,于凌達(dá),曹蓬,王建軍,李德華,袁茂川,蔣德鑫,劉斌,王哲元開端2025
崔娜·蒂虹,大衛(wèi)·丹席克,比約克·斯托姆,Luna Fuglsang Svelm?e,約翰·路易斯·施密特,Christine Gjerulff,Hanne Uldal,庫爾特·德萊耶,Christopher Nallo,Frederik Malmose,Josva Engedal Jacobsen,Klaus S?ndergaard,Andrea Enerstad Bolle,Alvin Burs?e,Karen Marie Holst Gudichsen,Noora Sofie Hjorth Biil妖獸都市
黎明,李嘉欣,仲代達(dá)矢,張學(xué)友,張耀揚(yáng),李若彤,袁和平,葉山麗子別來這兒
瓊·伊約拉,阿拉祖,尼古拉斯·薩爾蒙探魔導(dǎo)師
洪紫琳,孔舒航,慕巖,金尤美,趙干羽,劉蔚森,楊悅心,高杰,任嬌,周婷,安德烈·拉澤夫,麥小龍,余浩瑞,劉光帥,王星凱,王小曼,李小龍,金韜,何然,Dima,那朵,于洛熙,趙英龍,萌寶寶,雪千琪琪,周末,Kevin,勃小龍,唐亦靜,韓欣茹,Kisa,朱睿,師軍紅,王銳,陸鑫崛起
Caroline McQuade,Kenneth Trujillo,Wassim Hawat,Buffy Anne Littaua,Nicole Sharrock,Melissa Brattoni,Anthony Moisset,Marcus Johnson,杰克·坎貝爾,Melissa Davidson,Natalie Rose,Alex Gallant,Lily Brown Griffiths,Olga Olshansky,Mansoor Noor幕后花絮
搭車客
為了謀生，一名失業(yè)的畢業(yè)生在深夜偷偷將一名女性尸體運(yùn)往西原。在旅途中，他面對了一個充滿不安靈魂的超自然世界、一個他渴望的神秘女孩，以及與他駕駛的救護(hù)車有關(guān)的黑暗真相。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster