桑格莉之夏
2015圣丹斯世界劇情片單元最佳導演獎。17歲的少女珊葛莉夢想有天能開飛機，但卻受限于膽怯而內向的個性，還有懼高癥。然而當珊葛莉遇上大膽、自由、自我主張的奧絲特，有了一百八十度轉變。珊葛莉最后鼓起勇氣登上飛機，但令她印象最深刻的是若即若離的關係。全片展現立陶宛的優美風光，藉由詩意的影像敘事，捕捉少女青澀的美感以及追求夢想的年輕力量。
即刻觀影
劇情賞析
編輯推薦
我聘請了職業殺手
讓-皮埃爾·利奧德,Margi Clarke,肯尼斯·考利,T.R. Bowen,伊莫金·克萊爾在為公司勤勤懇懇工作了十五年之后，亨利（讓-皮埃爾·利奧德 Jean-Pierre Léaud 飾）卻落得了一個被解雇的悲慘下場。心中充滿憤懣的他在生活里也四處碰壁，絕望之中，他想到了自殺。可是，無論他使用什么法子，都無法成功赴死，就在這時，他在報紙上看到了一間聚集著黑道分子和殺手的小酒館，他決定去那里試一試。 亨利雇傭了一名殺手（肯尼斯·考利 Kenneth Colley 飾），讓他來取自己的性命，然而，在此之后，亨利意外的邂逅了名叫瑪格麗特（Margi Clarke 飾）的美麗賣花女孩，兩人迅速擦出愛情的火花。生命有了繼續下去的意義，亨利不想死了，然而，他卻怎么也找不到當初和他簽訂了合約的殺手，這也就意味著，從此刻開始，他隨時都有可能遭到殺手的暗殺。
快樂獵殺
Martin Dingle Wall,Ken Lally,C.J. Baker,Gary Sturm一個酗酒的二逼必須跟另一幫沙漠里面腦子有病的殘忍土老帽兒玩兒被獵殺的游戲，你覺著他能堅持到最后么 五名酗酒者, 成為貝德福德平原狩獵小鎮的狩獵對象, 而沃倫則是佼佼者, 他們與鎮民展開了輸死搏斗, 面對全副武裝的鎮民, 他們能否逃出升天? 得知前女友在墨西哥過世而且留下他們的女兒，酒鬼沃倫決定當個好父親，開始戒酒並前去接回女兒。途經一座沙漠小鎮停車休息，卻在當地意外陷入昏迷；再醒來後，沃倫發現自己恰巧遇上小鎮的狩獵季節，而獵物竟是沃倫與其他旅客！除了要應付鎮民的瘋狂追殺，同時還要克服不斷襲來的戒斷癥狀，沃 倫能否順利逃出沙漠，與女兒共享天倫之樂？
凱多湖的消失
迪倫·奧布萊恩,伊萊扎·斯坎倫,黛安娜·霍佩爾,卡羅琳·福克,山姆·亨寧斯,埃里克·蘭格,勞倫·艾波羅絲,Nina Leon,蘭斯·E·尼克爾斯,大衛·馬爾登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano一個8歲的女孩神秘地消失在卡多湖上，一系列過去的死亡和失蹤開始聯系在一起，永遠改變了一個破碎家庭的歷史。
拯救地球
艾瑪·斯通,杰西·普萊蒙,艾丹·德爾比思,斯塔夫羅斯·哈爾基阿斯,艾麗西亞·希爾維斯通,帕文德·謝爾吉爾,瓦妮莎·恩格,亞伊薩,塞德里克·迪莫爾內,馬克·T·劉易斯,莫瑪·切瑞,卡門·加林德斯·巴雷拉,羅杰·卡瓦略兩名深信陰謀論的年輕人綁架了一位有權有勢的大型企業女首席執行官（艾瑪·斯通 Emma Stone 飾），因為他們堅信她其實是個企圖摧毀地球的外星人。
內幕2025
郭富城,任達華,吳鎮宇,方中信,陳國邦,湯怡,周勵淇,李靖筠,姜大衛,駱應鈞,鮑起靜,黎峻,耿長軍,張文杰,蘇家樂,張達倫,陳湛文,馬俊怡,鄒文正香港著名慈善基金會晚宴現場，財務總監楊滔（任達華 飾）離奇吊死在會場，疑云籠罩之下，兩億善款也不翼而飛！“良知律師”馬迎風（郭富城 飾）與“玩咖警長”柯定邦（吳鎮宇 飾）意外被卷入其中，隨著二人調查不斷深入，慈善表象之下的駭人罪惡也接連現形——操縱司法、買兇殺人、走私販毒、勾結境外勢力……善意變生意，民眾的捐款竟淪為黑惡組織的血包！楊滔之死的真相到底是什么？他們能否將所有內幕公之于眾，還社會以公道？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.