即刻觀影
劇情賞析
編輯推薦
不良教育2004
蓋爾·加西亞·貝納爾,費(fèi)雷·馬丁內(nèi)茲,丹尼爾·希梅內(nèi)斯·卡喬,路易斯·奧馬,弗朗西斯科·梅斯特,弗郎西斯科·博伊拉,胡安·費(fèi)爾南德斯,納喬·佩雷斯,哈維爾·卡馬拉,阿爾維托·費(fèi)雷羅,佩特拉·馬丁內(nèi)斯,Roberto Hoyas,阿古斯丁·阿莫多瓦,佩德羅·阿莫多瓦,波爾·莫南,薩拉·蒙鐵兒,蕾歐諾·瓦特林,何塞·馬利亞·亞茲皮克恩里克（費(fèi)雷?馬丁內(nèi)茲 飾）和伊格萊西奧（弗朗西斯科?拜奧拉 飾）是教會(huì)學(xué)校的同學(xué)，更是一對(duì)同性戀人。學(xué)校的莫雷神父以留下恩里克為誘餌占有了伊格萊西奧，但最終恩里克還是離開(kāi)了教會(huì)學(xué)校。這對(duì)同性戀人也就勞燕分飛。 成年后的恩里克已是一名大有前途的導(dǎo)演。一天，伊格萊西奧帶著劇本找到了恩里克，希望自己能出演男主角。劇本描寫的就是他們的成長(zhǎng)經(jīng)歷加上想象的成年經(jīng)歷，恩里克對(duì)劇本十分感興趣，但卻不同意由伊格萊西奧出演?！ ‘?dāng)恩里克來(lái)到伊格萊西奧的家鄉(xiāng)時(shí)，秘密一幕幕揭開(kāi)……
姐妹2026
鄭知曉,李洙赫,車珠英改編自英國(guó)電影《愛(ài)麗絲的失蹤》 為了給弟弟的手術(shù)費(fèi)籌錢，海蘭與身為高利貸主的泰秀聯(lián)合策劃了一起綁架案，目標(biāo)就是海蘭同父異母的姐姐素珍。素珍之前并不知道自己還有個(gè)妹妹，當(dāng)身份關(guān)系揭曉，綁匪和人質(zhì)之間變得微妙起來(lái)……
線人1973
羅伯特·米徹姆,彼得·博伊爾,理查德·喬丹,史蒂文·基茨,阿歷克斯·羅克,喬·桑托斯,米奇·瑞恩,Peter MacLean,凱文·歐莫里森,Marvin Lichterman,卡羅琳·皮克曼,詹姆斯·托根,瑪格麗特·拉德,馬修·考爾斯,Helena Carroll,杰克·基歐,Jan Egleson,Michael McCleery,Robert Anthony,Gustave Johnson根據(jù)史上１００部偉大推理小說(shuō)改編而成 ●一區(qū)標(biāo)準(zhǔn)版，全新數(shù)字修復(fù)高清版 本片《線人》是根據(jù)史上100部偉大推理小說(shuō)，改編而成，是導(dǎo)演彼得·葉茲經(jīng)典作品之一；愛(ài)迪是一個(gè)交友廣泛的人，但世界上卻沒(méi)有是永遠(yuǎn)的朋友；因?yàn)樯磉叺娜?，正在處心積慮地準(zhǔn)備把愛(ài)迪重新送回監(jiān)獄；為了逃脫這個(gè)悲慘命運(yùn)，愛(ài)迪干起了走私軍火的生意，他把軍火賣給那些準(zhǔn)備搶銀行和干綁架的“朋友們”但不知不覺(jué)間，這個(gè)強(qiáng)盜內(nèi)部，似乎有警察的臥底，到底是誰(shuí)呢？他們的搶劫行動(dòng)到底能不能成功呢？！
風(fēng)林火山
金城武,劉青云,梁家輝,古天樂(lè),高圓圓,杜德偉,鮑起靜,林俊賢,盧冠廷,姜珮瑤,衛(wèi)詩(shī)雅,甘國(guó)亮,盧海鵬,劉永,吳嘉龍,李元霸,任賢齊,夏韶聲,王德順,程?hào)|,狼森,尼克·福特港島雪夜，街頭無(wú)差別掃射，血流成河；醫(yī)院爆炸火光沖天，慘叫此起彼伏。 這不是末日，是毒品操控下的城市煉獄?！ 《矩溡远酒氛瓶爻鞘忻}，殺手為爭(zhēng)奪貨源血洗街頭，警方在陰謀中艱難前行——當(dāng)三方勢(shì)力陷入混戰(zhàn)，最令人窒息的逆轉(zhuǎn)突然降臨：操縱一切的毒販，竟開(kāi)始全面禁毒？雪夜之下，誰(shuí)是幕后推手？誰(shuí)能從這場(chǎng)罪惡風(fēng)暴中全身而退？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
羅生門
三船敏郎,京町子,森雅之,志村喬,千秋實(shí),上田吉二郎,本間文子,加?xùn)|大介羅生門，日本京都的正南門。云游和尚、砍柴人和乞丐在城門底下避雨，三人閑聊，話題開(kāi)始，故事的序幕拉開(kāi)：一個(gè)武士和他妻子路過(guò)荒山，遭遇了不測(cè)。妻子被侮辱，而武士慘遭殺害。慘案如何釀成？?jī)词帧⑵拮?、借武士亡魂?lái)做證的女巫，都各有說(shuō)法。真相只得一個(gè)，但是各人提供證詞的目的卻各有不同。為了美化自己的道德，減輕自己的罪惡，掩飾自己的過(guò)失，人人都開(kāi)始敘述一個(gè)美化自己的故事版本。荒山上的慘案，成了一團(tuán)撥不開(kāi)看不清的迷霧。談?wù)撏戤叄赀^(guò)天晴?？巢袢嗽诹_生門旁發(fā)現(xiàn)一個(gè)哭泣的棄嬰。他決定收養(yǎng)下來(lái)，抱著嬰孩往夕陽(yáng)深處走去。