送葬人

道格拉斯·史密斯,盧錫安·拉維斯科特,克雷西達·博納斯,道格·瓊斯,邁克爾·特魯科,珍娜·凱內爾,埃麗卡·特倫布萊,瑪麗莎·埃切維里亞,克利奧·金,費·唐納薇,凱瑞-安·莫斯,雷·沃納爾,凱琳·伍黛爾,拉臘·諾克斯,喬納森·潘內爾,尼古拉斯·薩德勒,瑪莎·哈克特,庫爾特·岳

　　本片改編自Jonathan Penner小說《The Bridge To Body Island》。講述的是三個大學生，特雷弗·梅西,杰弗里·索羅斯和西蒙·赫斯曼在校外無意間釋放出一種超自然實體的故事，凱瑞·安-莫斯、費·唐娜薇等影星傾力加盟。

惡夢偵相

Yalitza Aparicio

　　Follows a man whose pregnant wife gets murdered and despite the police investigation, the truth is unknown. He tries to find what happened, which confronts him with situations of suspense and terror.

滅絕2015

馬修·福克斯,杰弗里·多諾萬,奎恩·麥克科甘,Valeria Vereau,克拉拉·拉戈,Eduardo Fedriani,Matt Devere,Alex Hafner,Jeremy Wheeler,Katharine Bubbear,麗麗·博爾丹,胡里奧·佩里蘭,Orsolya Bene,Adam Zambryzcki,nm5099682 Daniel Bargue?o

　　不知曾幾何時，地球突然爆發恐怖的喪尸病毒，成千上萬的人被病毒感染，隨后化作嗜血喪尸撕咬同類，正常人類的數字直線減少。帕特里克（馬修·福克斯 Matthew Fox 飾）和杰克（杰弗里·多諾萬 Jeffrey Donovan 飾）當年乘坐巴士疏散，誰知途中遭遇最慘烈的 事件，這兩個男人以及一個尚在襁褓中的小嬰兒成為唯一的幸存者。九年后，地球上人類所剩無幾，杰克以及當年的嬰兒——可愛的小女孩露（奎恩·麥克科甘 Quinn McColgan 飾）住在一個寒冷的山村，父女倆相親相愛，甜蜜溫馨。與之相對，胡子拉碴的帕特里克與他們比鄰而居，他似乎與杰克有著深深的隔膜。　　某個飄雪的夜晚，露意外在院落外目擊到久未出現的喪尸的行蹤，曾經的噩夢再度浮現……

非禮勿視

Glen Jacobs,克雷格·霍納,Michael J. Pagan

　　八個感化院的青年在兩名警官的監督下，前往鄉間一所破敗的客棧中接受社區服務，但是他們的到來卻無意中驚醒一個沉寂已久的惡魔。雅克布?古德奈特 飾（Glen Jacobs 格蘭“凱恩”雅克布 飾），身高七英尺，體重四百磅，頭骨里嵌著一個生銹的鐵盤，鋒利的指甲足夠戳穿對手眼睛的精神病患者。　　雅克布四年前曾被警官弗蘭克?威廉姆斯（Steven Vidler 飾）槍擊頭部，卻僥幸逃生。如今弗蘭克正是這群青年的督導員。弗蘭克和孩子們的出現激起了雅克布屠殺的欲望，他舉起巨斧，將客棧變作血腥的屠宰場……

柏林綜合癥

泰莉莎·帕爾墨,馬克思·雷邁特,馬蒂亞斯·哈比希,艾瑪·巴丁,艾爾邁拉·拜赫爾米,克里斯托夫·弗蘭肯,露西·阿倫,納西姆·阿瓦特,馬琳·斯特芬,圖索·勒克維,拉拉·瑪麗·繆勒,瑪雅·阿布斯貝格

　　澳大利亞攝影記者克萊爾（泰莉莎·帕爾墨 Teresa Palmer 飾）在柏林度假時邂逅了當地男子安迪（馬克思·雷邁特 Max Riemelt 飾），一見鐘情的兩人共度春宵，激情過后意想不到的危險來臨，克萊爾醒來時發現自己被安迪反鎖在家中，而安迪似乎并不打算讓她離開……

野蠻的囧妃：時空黑洞

袁曉旭,張嘉佑,胡浩帆,黃一山

　　一個關于“時間膠囊”的機密研究項目，因能量塊失竊陷入危機，引發了一系列時空穿越事故。現代人蘇寶銀意外接觸到形似手機的能量塊，流離于古代異時空和二十一世紀現代兩個世界之間，美顏國王爺霍靖及兩個隨從為尋找她，也被意外卷入時空黑洞闖入現代。三個古代呼風喚雨的王爺將軍，走入了完全陌生的現代世界，陷入囧境啼笑皆非。回到現代的蘇寶銀在思念王爺的同時，遇上了英俊睿智的孫警官，這背后又隱藏著什么樣的驚天陰謀呢？當正義戰勝邪惡，當一切終結，蘇寶銀又回到了原點，再遇她的愛人，卻已形如陌路......

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.