Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　學識淵博偉岸帥氣的任智勛（李忠秀 飾）是小有名氣的精神科醫師，他偏向冷靜思維人與人之間的情感，將一切都歸于最理性科學解釋，內心雖感深深孤獨，卻時常和不同的女子夜夜歡歌，雙棲雙宿，一味沉湎肉體的歡愉。他的同事兼好友俊基則不然，是一個追求真愛的傳統男子。俊基通過相親結識美麗的提線木偶師賢貞（具智成 飾），然而對方仿佛隱藏的無盡的心事。賢貞時常會看到恐怖的鬼影出現在她的面前，有時會莫名其妙失去知覺。為了幫助女友擺脫困境，俊基拜托智勛采用催眠的辦法為賢貞治療。　　催眠過程中，賢貞講述了自己隱秘的過去，并開始表現出妖冶鬼魅的人格。禁不住誘惑，智勛利用催眠跨越禁區，全然不計任何后果……

　　2008年1月の放送終了後も根強い人気を誇る「仮面ライダー電王」の最後の戦いを描く劇場版第3弾。世間で噂の幽霊列車について調査を開始したモモタロスたちの前に、“仮面ライダー幽汽”が立ちはだかる。なんとその正體は、誘拐された電王?良太郎だった。モモタロスや新たに電王となった幸太郎らは、良太郎の言葉を手がかりにデンライナーで300年前へと向かう。新電王?幸太郎を演じるのは「アクエリアンエイジ　劇場版」の桜田通。

 影片主線講述了19世紀一戶普通家庭來到芝加哥并奮斗的故事，影片后半一頭母牛碰倒了提燈點燃了大火，展現了驚人的火災場景。