1971年，印度與巴基斯坦之間在東巴解放戰(zhàn)爭(zhēng)之間的緊張局勢(shì)日益緊張，巴基斯坦海軍在一個(gè)高級(jí)秘密任務(wù)中計(jì)劃襲擊印度雄偉級(jí)航空母艦INS Vikrant，以控制孟加拉灣的水域 。 他們派出一流的潛艇PNS Ghazi(加齊號(hào)/勇士號(hào))，但被印度潛艇INS Karanj（S21）攔截。 隨后發(fā)生水下攻擊。

 電影改編自1957年的百老匯音樂劇，講述了20世紀(jì)50年代紐約街頭的“噴氣機(jī)幫(Jet)”和 “鯊魚幫(Sharks)”之間的爭(zhēng)斗，以及分屬不同幫派的“苦命鴛鴦”托尼（安塞爾·埃爾格特 飾）和瑪麗亞（瑞秋·齊格勒 飾）的愛情。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

科米蛙、豬小姐以及其他迷人的伙伴們，重返最初的布偶劇院舞臺(tái)，帶來全新的音樂、搞笑短劇，以及一連串的后臺(tái)大亂斗。