播放通道
詳細簡介
熱門影視 大家都在看
黑仙女
安努舒卡·莎瑪,帕拉姆巴拉塔·查特吉,拉賈特·卡普爾,Ritabhari Chakraborty,Dibyendu Bhattacharya天使的印跡：苦難
熱拉爾·德帕迪約,喬伊·斯塔爾,瑪爾特·克勒爾,蒂埃里·萊爾米特,湯姆·霍夫曼,馬修·加里瑞,伊蓮娜·諾古哈,呂迪格·福格勒道師爺
梁家仁,林楓燁,樓南光,付赫安琪婚姻故事
斯嘉麗·約翰遜,亞當·德賴弗,勞拉·鄧恩,艾奇·羅伯遜,梅里特·韋弗,阿倫·阿爾達,朱莉·哈格蒂,雷·利奧塔,馬克·奧布萊恩,華萊士·肖恩,凱爾·博恩海默,米奇·薩姆納,馬修·馬希爾,羅伯特·斯密戈爾,艾登·梅耶里,布魯克·布盧姆,瑪莎·凱莉,阿爾伯特·瓊斯,漢娜·鄧恩,桑德拉·羅斯科,麥金利·貝爾徹三世,戈登·格里克,馬修·希爾,阿米爾·塔萊,薩拉·瓊斯,文尼·希伯,胡安·阿方索,洛蕾塔·謝諾斯基,滕德·艾德比佩,賈思敏·西法斯·瓊斯藍絲絨
伊莎貝拉·羅西里尼,凱爾·麥克拉克丹尼斯·霍珀,勞拉·鄧恩,霍普·蘭格夢之安魂曲
艾倫·伯斯汀,杰瑞德·萊托,詹妮弗·康納利,馬龍·韋恩斯,克里斯托弗·麥克唐納,露易絲·拉塞爾,瑪西婭·讓·庫爾茨,珍妮特·薩諾,蘇珊妮·謝潑德,夏洛特·阿羅諾夫斯基,馬克·馬戈利斯,邁克爾·卡切克,杰克·奧康耐,斯科特·富蘭克林,亞伯拉罕·阿羅諾夫斯基,歐嘉·梅雷迪斯,本·申克曼,凱斯·大衛(wèi),迪倫·貝克,肖恩·奧哈根,比爾·布爾,吉米·雷·威克斯,斯坦利·B·赫爾曼同類推薦
愛上平行時空的你
米拉·埃爾紹娃,尤里·納索諾夫,安東·瓦西利耶夫,柳德米拉·阿爾捷米娃,安東·阿爾特梅夫,埃爾尚·阿列斯克羅夫,納德茲達·伊萬諾娃,羅扎·哈伊魯林娜,瑪麗亞·克羅托娃,尤里·李,康斯坦丁·梅爾茲利金,葉夫根尼·塔庫耶夫艾莉莎搬進了圣彼得堡一間寬敞的公寓，公寓里的鏡子卻開始出現(xiàn)故障。它向這位年輕的房客展現(xiàn)了同一個公寓的平行世界，只不過，在這個平行世界里生活的不是艾麗莎，而是和她搶這間公寓的派對狂人伊萬。這兩位年輕人能否認清真愛？他們又能否讓兩個世界相連，在現(xiàn)實中相遇，只為簡單地觸碰彼此？
人證1977
岡田茉莉子,松田優(yōu)作,鼻肇,喬山中,巖城滉一,三船敏郎,鶴田浩二,竹下景子,伴淳三郎,高澤順子,范文雀,夏八木勛,長門裕之,珍妮八田,坂口良子,大瀧秀治,佐藤蛾次郎,北林谷榮,西川峰子,鈴木瑞穗,峰岸徹,地井武男,和田浩治,深作欣二死于東京皇家飯店電梯里的美國黑人青年被人發(fā)現(xiàn)后，警方展開調查，從死者遺物中，知曉其名叫焦尼，并推斷其來日目的是為找尋生母。根據(jù)種種線索，警方來到某溫泉，發(fā)現(xiàn)知情人已被殺害，但還是知曉了知名服裝設計師八杉恭子（岡田茉莉子）當年曾與一美國黑人士兵在此同居之事，遂派警官棟居（松田優(yōu)作）前去美國向紐約警察肖夫坦（喬治?肯尼迪）求證。 求證過程中，棟居陷入歷史記憶與民族情結中，幾欲將眼前的美國人尤其肖夫坦與當年在日本犯下罪行的劊子手混為一談，但終回復理智完成了任務，將八杉恭子圈定為兇手，而八杉恭子不過也是歷史的受害者。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
赤赤煉戀
土屋太鳳,吉澤亮,千眼美子,吉田羊,大杉漣,有森也實熙攘喧囂的大都會東京，游魂漫無目的地行走在城市的每一個角落。身穿校服的女高中生樹里（土屋太鳳 飾）曾經(jīng)將自己深鎖屋中，拒不登校，后來則選擇從公寓樓頂一躍而下，結束了自己十幾年匆匆的人生。此去經(jīng)年，她早已忘記當初自殺的理由，甚至有時忽略了已經(jīng)死去的事實。細細回想生前事，曾有交到的傾心好友，也曾有運動出色的青梅竹馬，而如今俱成過眼云煙。曾經(jīng)討厭嘈雜低端的她，現(xiàn)在反而喜歡身處其中。樹里仿佛是城市中唯一一個亡靈，沒有任何說話對象，除了那些慫恿失落的人自殺的蟲男。 這是她的孤獨地獄，沒有止境的旅程……
愛情抓馬
羅伯特·帕丁森,贊達亞,馬莫多·阿西,阿拉娜·哈伊姆,海利·蓋茨,佐伊·溫特斯,邁克爾·阿伯特,西德妮·萊蒙,亞亞·戈塞林,佩頓·杰克遜,喬丁·庫雷特,馬修·J·麥克勞克林,蒂埃雷·迪亞斯,克里斯托弗·C·詹姆斯,肖恩·福格蒂,蔡斯·布雷索夫,格瑞·科恩,艾可·坎貝爾,卡拉·科爾南·約瑟夫,馬克斯·德德里安,凱西·麥克尼爾婚禮前幾天，一對情侶無意中發(fā)現(xiàn)彼此的秘密，親密關系面臨考驗，令結婚計劃驟然生變。暗黑秘密如何一發(fā)不可收拾？各種反應又引致怎樣翻天覆地的后果？原定又浪漫又幸福的結婚計劃，還可以進行嗎？