Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　《蒙上你的眼：逃出巴塞羅那》由《蒙上你的眼》的制作人傾情打造，是 2018 年備受觀眾青睞的熱門電影的衍生作品。在一股神秘力量使世界人口大量減少之后，塞巴斯蒂安必須在巴塞羅那荒涼的街道上展開自己的求生之旅。當他與其他幸存者結成不穩定的聯盟，并試圖逃離這座城市時，一個意想不到、甚至更加險惡的威脅正在增長。

 短片講述了一個帶著三個孩子的母親，因為日常生活和丈夫陷入沮喪。而這時，她發現自己可以通過窗戶看到住在對面鄰居的生活...

 故事發生在八十年代的意大利里維埃拉，每年夏天，十七歲的少年艾力奧（提莫西·查拉梅 Timothée Chalamet 飾）都會跟家人一起來此地度假。今年，和他們共享假日時光的，還有來自美國的奧利弗（艾米·漢莫 Armie Hammer 飾），高大英俊熱情開朗的奧利弗很快就獲得了艾力奧一家人的喜愛。隨著時間的推移，艾力奧和奧利弗之間漸漸產生了致命的吸引力，但性別和年齡的桎梏讓他們遲遲無法跨出那關鍵的一步，與此同時，單純善良的少女馬奇婭（艾斯特·加萊爾 Esther Garrel 飾）也向艾力奧奉獻著自己的感情和身體。最終，洶涌的激情沖破了艾力奧和奧利弗之間的防線，兩人開始了一段注定不會有結果的戀情。