性晶

? 0.1 播放：36萬(wàn) 2026-04-27
主演：成賢娥 李秀貞 

立志做劇作家的秀蘭，為體驗(yàn)社會(huì)而休學(xué)，走進(jìn)了混雜的社會(huì)，與有婦之夫的英民苦戀，最終帶著眼淚返回校園，其好友奇錫仍守在她身邊，而英民反省過往的不是，與妻子相擁而泣，二人決心建立幸福的家庭~這位施撒原來(lái)就和尊尼不咬弦，這次更是嘮嘮叨叨，不料拿回家的這筆錢卻被自己的同床異夢(mèng)的釹同志老婆和她的釹友小玲看上了！于是在兩位釹同志和兇狠的芝加哥黑幫間進(jìn)行了一場(chǎng)緊張過癮的斗智斗勇奪錢游戲，最后結(jié)果到底怎樣呢，這就留待各位去觀看。 　　

在線觀看

? 播放 性晶

劇情提要

立志做劇作家的秀蘭，為體驗(yàn)社會(huì)而休學(xué)，走進(jìn)了混雜的社會(huì)，與有婦之夫的英民苦戀，最終帶著眼淚返回校園，其好友奇錫仍守在她身邊，而英民反省過往的不是，與妻子相擁而泣，二人決心建立幸福的家庭~這位施撒原來(lái)就和尊尼不咬弦，這次更是嘮嘮叨叨，不料拿回家的這筆錢卻被自己的同床異夢(mèng)的釹同志老婆和她的釹友小玲看上了！于是在兩位釹同志和兇狠的芝加哥黑幫間進(jìn)行了一場(chǎng)緊張過癮的斗智斗勇奪錢游戲，最后結(jié)果到底怎樣呢，這就留待各位去觀看。 　　

幕后花絮

鐵肺

 影片改編自2022年的同名獨(dú)立恐怖游戲。背景設(shè)定在名為“The Quiet Rapture”的末日之后，一名囚犯被迫深入血紅色的海洋，駕駛一艘銹跡斑斑的微型潛艇搜尋殘存的自然資源。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.