后宮:帝王之妾 ??: ??? ?

評分:3.4 播放:34萬 更新:2026-04-26

圣源(金東旭Dong-wookKim飾)還是世子時,在大臣申參判家偶遇其女華妍(趙茹珍Yeo-JeongJo飾),一見傾心。但其母后為了自己的政治野心將華妍許配給了他同父異母的哥哥作王后,圣源因此遠走他鄉。華妍本與家中的仆人權侑(金民俊Min-junKim飾)是一對戀人,無意間得知將要入宮為妃,因而私奔卻被父親抓到,為了保全戀人性命無奈入宮。五年后殿下病重,在母后的陰謀和安排下圣源大君回宮繼承了王位當了傀儡皇帝,華妍的父親也在政變中遭遇其母后迫害被處死。此時的圣源大君遇到已成為皇嫂的華研,權利的束縛更燃燒了他心中禁忌的欲望。而保住性命的家奴權侑私奔失敗后卻被申參叛閹割,為了登上權力的頂峰報仇雪恨進宮當了內侍,忍辱偷生。以宮廷斗爭為背景,三人命運交織,在愛欲和權力,激情與仇恨的矛盾沖突下醞釀著一場悲劇。?豆瓣

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回到從前

伊桑·霍克,艾瑪·沃森,大衛·休里斯,戴文·博斯蒂克,戴爾·迪奇,艾倫·阿什莫,亞當·布切,大衛·丹席克,阿隆·艾布拉姆斯,羅泰爾·布魯特,彼得·麥克內爾

  故事發生在1990年,美國一名汽車修理工約翰·格雷(大衛·丹席克 David Dencik 飾)因涉嫌猥褻自己的女兒安吉拉(艾瑪·沃森 Emma Watson 飾)而遭到逮捕。負責調查此案的警官布魯斯·肯納(伊桑·霍克 Ethan Hawke 飾)對約翰展開問詢,而在這一過程中約翰起先承認罪行,隨后又突然失憶。為了應對這一突發狀況,心理學教授肯尼斯·睿恩斯博士(大衛·休里斯 David Thewlis 飾)也介入調查之中。他們發現,約翰信奉崇拜魔鬼撒旦的黑宗教,甚至布魯斯的搭檔都有可能參與其中。布魯斯和肯尼斯想方設法要打開嫌疑人和受害者的記憶閘門,讓他們想起最不堪回首的一段往事……  本片根據真實事件改編。

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.