契約結婚
ホームレスの亜希(小田飛鳥)と理恵(さくらゆら)は、移動キャバクラと稱して、街の男に聲をかけては飲み屋に誘い、小遣いを貰ってその日を暮らすという気ままな生活を続けていた。いっぽう、韓國から夢を抱いて日本に來た青年?ジンイル(チェ?ミンホ)は、不法滯在で追われる身となっていた。ジンイルは胡散臭い行政書士?佐伯(金すんら)に助けを求める。特別在留許可を貰うための偽裝結婚を企てた佐伯は、その話を亜希たちへと持ち掛ける。金がない二人は住む場所を得られると話にのり、亜紀が結婚に応じることになった。三人は奇妙な共同生活を始め、亜希とジンイルは少しずつ距離を縮めていくが…
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未知美食總動員
帕頓·奧斯瓦爾特,伊安·霍姆,盧·羅曼諾,布萊恩·丹內利,彼得·孫,彼得·奧圖爾,布拉德·加內特,詹妮安·加羅法洛,威爾·阿奈特,詹姆斯·瑞馬爾,約翰·拉森貝格,泰迪·牛頓,托尼·弗希勒,杰克·斯坦菲爾德,布拉德·伯德,林賽·柯林斯,布拉德·劉易斯,洛麗·理查德森,邁克·吉亞奇諾玩具熊的五夜驚魂2
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靈魂密室
Katherine McNamara,Dove Cameron,Braeden Lemasters,Ryan McCartan,Tiffany Espensen一位邪惡的馬戲團老板在幾位高中生的小鎮上演“鬼屋”,他們必須抗拒他的魔咒。
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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
左撇子女孩
蔡淑臻,馬士媛,葉子綺,黃鐙輝,陳慕義,張允曦,趙心妍,夏騰宏,林嫣一位單親母親帶著兩個女兒在鄉下生活數年后重返臺北,在熱鬧的夜市擺起小吃攤。面對新環境,三人以各自的方式努力適應,既要維持生計又要守護家庭完整。當傳統觀念根深蒂固的外祖父禁止左撇子小孫女使用"惡魔之手"后,這個三代同堂家庭深埋的秘密開始逐漸浮出水面。
復仇1978
塞爾玖·尼古拉耶斯庫,J·迪尼克,J·康斯坦丁故事發生在1941年,希特勒支持的羅馬尼亞鐵衛軍到處殘害人民,迫害共產黨員,陰謀進行顛覆,取代安東尼斯庫政權,其中鐵衛軍隊長巴拉班尤其嗜殺成性。安東尼斯庫政權保安機關的警長(后升為警察總監)莫多萬在羅馬尼亞共產黨支持下,單槍匹馬深入虎穴和以巴拉班為首的鐵衛軍展開血腥斗殺......