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春光乍泄
張國榮,梁朝偉,張震,格利高里·戴頓勿擾警告
歐文·馬肯,安娜·斯科萊姆,Tereza Srbova,Anthony Jabre警察與外星人
路易·德·菲奈斯,米歇爾·加拉布呂,莫里斯里什,朗貝爾·維爾森黑域封鎖
特瓦納·巴尼特,邁克·弗格森,LeeAnne Bauer登帕卡農
?????????? ????????,?????? ???????????,????????? ?????????,??????? ???????????,??? ????????????,?????? ????????圍困2
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir同類推薦
粽邪3:鬼門開
張庭瑚,李興文,吳奕蓉,許安植,陳博正,劉國劭,李明倉,王彩樺,黃柔閩,陳為民,曾莞婷,鄒承恩,陳雪甄,施冬麟,許莉廷,陳少卉,陳昭妃,姜仁,游否希講述冠宇(張庭瑚 飾)因與父親武雄(李興文 飾)不合,為了賺錢早日搬離家,與好友龜仔(李明倉 飾)一起到旅社打工,不料打掃的房間竟有人自縊身亡,房內充斥不祥的泰國符號,而旅社老板娘(吳奕蓉 飾)更是舉止詭異,整間旅社彌漫著死亡的氣息,向冠宇席卷而來。
日出1927
喬治·奧布萊恩,珍妮·蓋諾,瑪格麗特·利文斯頓,波蒂爾·羅辛,J·法瑞爾·麥克唐納,Ralph Sipperly,簡·維頓,阿瑟·豪斯曼,Eddie Boland,赫爾曼·賓 ,西德尼·布雷西,基諾·科拉多,Vondell Darr,薩利·艾勒斯,吉布森·格沃蘭德,Fletcher Henderson,Thomas Jefferson,鮑勃·科特曼,F·W·茂瑙,Barry Norton,羅伯特·帕里什,Sally Phipps,坦普·皮戈特,Harry Semels,菲利普斯·斯莫利,李奧·懷特,Cla盛夏的度假時節,一位城市女人來到鄉下滯留,這期間,城市女人誘惑了當地的農夫并教唆他殺死自己的妻子(Janet Gaynor 飾)以便販賣掉農莊后私奔。被迷惑了心竅的男人早已忘記了那些同妻子共處的純美時光,他將妻子帶到河面蓄謀加害,卻在要下毒手時幡然悔悟,傷心的妻子踏上了進城的列車,男人窮追不舍一同抵達城市。城市里真正是一片花花世界呵,這對夫妻在街上游走玩樂,在那些小小的玩笑中,甜蜜的冒險中,他們又找回了愛情的美妙共鳴……和好如初的兩人返回鄉村,不料卻在歸途遇上了肆虐的風浪……本片是德國導演茂瑙赴美發展后拍攝的第一部作品,曾被多家權威媒體評選為默片最佳杰作之一,獲第一屆奧斯卡最佳女演員、攝影等多項褒獎。
校園鬼
韓藝璃,金花雨,申智秀,樸元尚,李鐘碩1)因和同學打賭賭輸,樸貞元、云貞等三個女孩被迫潛入傳說中鬧鬼的廢棄校舍內探險。她們戰戰兢兢、心慌意亂,鬧出不少自己嚇自己的笑話。然而,女孩們的吵鬧驚動了此前曾死在這里的一個女孩的怨靈,她似乎有意將這三個冒失的闖入者留在這里。 2)圓圓和齊齊是一對情同姐妹的好朋友,但是她們的友情正受到嚴峻的考驗。她們同時喜歡上帥氣的學生會主席,也因成績優秀將共同角逐校長的推薦升學資格。一切朝著不可預測的方向發展。 3)高中男孩具有敏感體質,他能看到周圍的鬼魂。他在教室中被一個少女的鬼魂纏上,女孩死于非命,而殺害她的兇手的鬼魂不久也尾隨前來……
死亡將至
斯萊法·達尼什,凱特琳·哈爾德曼,Michael James OlindoA family whose daughter is seemingly possessed; their prayers seem to make matters worse. What sin did they commit?
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster