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祝你好運2024
亞歷山德拉·達達里奧,柯瑞·福格爾瑪尼斯,邁爾斯·古鐵雷斯-賴利,科爾·斯普羅斯,莉娜·鄧納姆,艾米·蘭德克,萊克西·安德伍德,麗莎·山田,賈德森·米爾斯,布萊恩·邁克爾·史密斯黑色城堡
Evgeniy Shvarts,維羅妮卡·烏斯蒂莫娃,葉夫根尼·斯迪查金,琳達·拉賓什,阿納斯塔西婭·克拉索夫斯卡婭,Aleksandr Girenok承諾2017
楠迪·宗拉維蒙,安比查雅·松可寒,圖恩雅芳·帕塔拉媞拉猜差容,帕尼莎拉·里庫蘇拉康,Duentem Salitul,本杰明·約瑟夫·瓦尼,素查達·彭帕塔娜蘇,Surachai Ningsanond,Teerapop Songwaja,Duangjai Hiransri獵殺超自然
約翰·威爾士,Darren Lee Cupp,艾迪森·格蕾絲·倫道夫功夫機器俠之南拳
陳虎,王智死因無可疑
黃秋生,林嘉欣,陳家樂,湯怡,廖啟智,歐陽偉豪,歐錦棠,馮素波,鄧建明,駿雄同類推薦
瘋狂丑小鴨2靠譜英雄
丑小鴨成功拯救鳥類王國后回到了鴨子農場,在那里他受到了英雄般的待遇,丑小鴨也開始沉迷于這種明星的光環。 另一邊鳥類王國中一場不知名的瘟疫蔓延開來,不少鳥兒都染病不起,天鵝議員們派人前去尋求卡爾騎士的幫助,正巧卡爾騎士意外受傷,只能讓丑小鴨去查明原因,可沒想到在看到瘟疫慘狀時,丑小鴨情緒崩潰害怕的逃走了,眾人對丑小鴨失望透頂。 逃走的丑小鴨也陷入深深的自責中,他終于重新振作起來,決定和丑小八一起找出病因,卻沒想到被暗中潛伏的加瓦埋伏,奪走了他的力量,還將他困在了枯井之中,在井內,丑小鴨找到生機,見到了鳥類神秘的古代遺跡,也揭開加瓦的秘密。危機時刻,丑小鴨及時趕到激活琉璃鳥之光,再次拯救了鳥類王國。
微笑的山谷
米凱萊·里翁迪諾,羅馬納·馬喬拉·韋爾加諾,Giulio Feltri帶著過往傷痛,塞吉歐只身一人前往「微笑之村」擔任代理教師。這座對負能量零容忍的小鎮,明明曾遭逢巨變,居民們卻笑口常開。原來,讓這座微笑之村風光明媚的秘方,是一位能吸取人間苦痛的男孩,他的身體如祭壇,透過擁抱承擔全村的悲傷。他為人搭建快樂天堂,自己卻陷入無盡黑暗。塞吉歐與男孩的相遇,攪亂了鎮上的平衡;那座煉獄之門,也終將反向人間敞開。
運鈔大劫案
吳樾,包貝爾,伍允龍,元彪,安志杰影片講述了一場震驚全國的特大運鈔車搶劫案發生后,嫌疑人小寶在無現場犯罪證明情況下金蟬脫殼,然而犯罪的種子已然在心中生根發芽,伴隨著時間野蠻生長,終將在警方的明察秋毫中爆裂迸發……
公子嬌
伊雷,雪梨,周聰,劉克宣周公是個70多歲的富翁,因為妻子不能生育,想娶個年輕的姑娘生個兒子繼承產業。一次偶然的機會他相中了一個名叫帶水的漁家女,于是買了好多時髦的東西送給帶水的父母作為聘禮。而正值懷春佳齡的帶水卻看上了周的手下——風度翩翩的夏公子,夏公子以捧帶水做明星的托口哄住她。怎料帶水舉止粗俗,品性不羈,忍受不了嚴格的瘦身美體的訓練。而一直暗戀帶水的炒蜆仔公子嬌眼看著心上人執迷不悟地做富貴癡夢,展開了一場諧趣層生的奪妻大戰……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster